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Germany
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10 x 10 in ($50)
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the transient beauty the beauty of transience the morbidity, the roughness and fragility of the ruins the vulnerability and woundedness of the surface the view behind the surface the secret behind it discovering what is hidden perceiving the energy of what is found absorbing it complement it play with it create a space between colour and line with colour and line turn them into something new imperishable transience
Original Created:2016
Subjects:Science/Technology
Styles:ExpressionismPhotorealism
Mediums:AcrylicPhotographyPastel
Print:Giclee on Photo Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Germany
Annette Marx lives and works in Saarbrücken. She has had her studio in Cecilienstrasse in the Nauwieser Viertel in Saarbrücken since 2012 and is a co-founder of the SommernachtsRaumKollektiv. She has exhibited her work for many years in Germany, France, Austria, Belgium, Luxembourg and Spain (solo exhibitions and participation in exhibitions). Her works are part of public and private collections in Germany and abroad. I deal with the theme of beauty in the ephemeral. Whether I am travelling through post-industrial spaces or nature, I try to perceive the beauty of what I see, to breathe in the overall impression, to absorb the vulnerability. In my pictures I take up the forms I see, a process of accumulation and adaptation. In my abstract but also sometimes representational series of works, I use photos, papers and screen prints as collages, which are applied to the canvas and playfully supplemented with acrylic paint and chalk. Photos, colour and lines merge and become an equally powerful and fragile whole, in the sense of the overall impression and beauty of a found object seen in real life. By intervening with colour and line, something new is created against the forlornness. I breathe against the dark absurdity of the world. Sometimes I breathe against the day. I try not to lose my own reality in all the infinite number of realities that exist side by side. I look for the glimmer of light in the darkness, the grace in the morbid, the level behind it in the absurd. This is the only way to endure.
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