VIEW IN MY ROOM
Who Am I to Judge? Print
United States
Select a Material
Fine Art Paper
Select a Size
9 x 12 in ($40)
Add a Frame
White ($80)
About The Artwork
I'm always looking for new things. I've taken my process from an absorbent substrate to one that doesn't absorb at all! The horizon holds cloud-like bubbles of abstract chaos, or bubble-like clouds of Easter colors and storms. I like the way I can draw on this paper, and its feel. I like the way the time-based aspect of my work go entirely in new directions that are also the same. As with my works on joint compound, the work is generative. I start with a simple concept; a horizon line and bubbles that extend out on each side. I take a pass, then I do it again with different media. I do the same thing over and over again, but each time the response must change. Every single mark is either exhaustively considered or done in flow. For this series and type of work, the pieces are also offered as prints, so that you can enjoy them even if you're on a budget, and you can enjoy them in large, eye-catching sizes. PLEASE NOTE: Some colors may fade over time. It is recommended to either frame this piece behind UV Resistant glass, and/or to hang in a space that doesn't get a ton of direct sunlight. Or to enjoy the changes time brings to all things.
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
No offense, but I’d rather get shingles than read or write an Artist Statement. All the stories have been told billions of times over, and the reasons are now as prosaic as dust on a coffee table. So here goes: I’m a crazy person. I believe many artists are more-or-less crazy. We spend time developing a secret language we hope other people will want to decipher, and if they do, we hope they will pay us for it. So I’ve been working on my current ‘code’ for 20 years, and you know what? It uses the same symbols as a million other artists. But I hope, at least, you will get that my message is this: life is scary, but we can find the beauty and magic in it (gag). Kids are much better at this than adults, and nature is better at it than the aberration known as humankind. For what it’s worth, the paintings are either on polypropylene paper with ink, acrylic and graphite, or on dry joint compound, (the stuff used in sheet-rocking new homes) with pretty colors soaked in, and other types of marks. It’s an ecosystem of intent and error that, if I’m lucky, balances out compositionally. Sort of.
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