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Deutschland spielt schon wieder Krieg Gerhard Print

Eckhard Besuden

Germany

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About The Artwork

(Germany is already playing war again, Gerhard). A german soldier told me, he aks himself what we are doing. Our mission is impossible, our waepons are old. My familiy lost 2 men at the russian front in WWII, 2 woman and 1 child by english bomber attack and one grandma died by drudgery and hunger on the run from Danzig to Duisburg. Everyone of them was unsubstitutionabel especially Jochen the child. Was`nt it enough war for germany in the past? In 1964 (my birthyear) Gerhard Richter painted his Mustang Staffel against the rebuilding of the Bundeswehr. Obviously Richter and his painting manner is an old one, but I think to deal with the subject is just up to date. Richter used two colours black and green. I wanted to use only one colour - chromeoxyd green. It supposed to be another symbol for the simplicity - of our brain. So I wanted to get the dark and light structures only with the filmthickness of the green... 2009, 140x200cm www.eckhard-besuden.de Antideterministic art

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 8 H x 0.1 D in

Size with Frame:17.25 W x 13.25 H x 1.2 D in

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Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de

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