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give sugar to the monkey Print

Margarete Golz

Germany

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About The Artwork

Ideas are growing before the first brush stroke is done, initially still vague. From sketch to sketch, I approach myself to a final work to create an idea becoming form and color. At first I had planned to paint many different sugar pots for an exhibition "Still Life". I collected sugar pots on flea markets and was very enthusiastic about the numerous different forms and designs. Each pot certainly told the story of its history and peoples taste. And in any time sugar was very important to the people. It has been the sweetness of life! Suddenly this beautiful containers for sugar seemed to me full of symbolismen and meanings. Some time ago, my son had designed a poster with dancing monkeys for a big party, titled "Give sugar to the monkey". This was, of course, meant as an ironic and funny joke. I liked this title very much; I was thinking about it und there appeares a lot of all sorts of connections and associations in my mind. Most people love sweets! If it is really soft and sticky cheesy, the sentimentality follows immediately. On a different level consider: Don`t give politics, business and media to the people exactly what they want? No matter what happens somewhere erlse on the track. Sorry, people? Apes? Who wants to be a monkey? Wants to be titeled as an ape? Or is already one? Even in Turkey and Poland evolutionary critics have prevailed this summer and want to ban Charles Darwin and his scientific knowledge from schools. I would never have thought that Darwin's teaching for parts of mankind is still a provocation. As an artist of surrealism, I am here: I do not want to make some flat, one-dimensional statements, however I want to show free-flowing ideas, enrich paradoxical events with humor.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 8 H x 0.1 D in

Size with Frame:17.25 W x 13.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1957 in Borken/Westfalen, Germany, Marga grew up in a pretty bourgeois family. She made her way against her parents expectations. She finished university with a higher degree in fine arts. She devoured books from Hermann Hesse, idolized Buddhism, lived in grief for a better world and was disappointed by the lack of creativity in the art lessons at school. Drawing for her has always been a way for retreat while gathering energy to manage conflicts. During a period of social service for the community she found entry in art classes at the University of Kassel. Again, disappointment arose from the rigid way of thinking by the professors. "The best teaching I got from my senior mates", Marga reflectes about her early studies. The heart of her work has always been the oil painting. Marga Golz` early work is closely associated to the magic realism. Achieving the final color through multiple coats of paints according to the old masters is a technique she still applies today. Her paintings on the switch of contemporary issues over times cover the periods from renaissance to modern computerized art. Figures of men and women pregnant with meaning and carefully dissected. Taking her subjects into geometric and multi-faced pieces Marga has devoted herself to the cubism. The compositions of her paintings are frequently based upon real objects, dreams or derived from personal experiences or visions. Sensuality and effectiveness are the drivers for creating scenes of human encounter which should translate into a story or fairy tale. During the process of painting the focus on the final work gets constantly challenged and broken by covering colors with different layers of pigment, changing forms and shapes or moving and mixing of borders and structures. This ends up in specific and unique dynamics and rhythm in each piece of work. Every new object is going through a cycle of spontaneity, simultaneity, manifoldness and poetry of life. This is how Marga makes us aware the uniformity and exchangeability of the world around us.

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