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Hannes Seehas karminrot Print

Eckhard Besuden

Germany

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About The Artwork

The "Seehas" (lake rabbit) is a mystic figure of the 15th Century at the lake of constance. Around the lake of constance there are many wells in Constance, Friedrichshafen but also on the switzerland side of the lake. Also my morning train to work is called Seehas. But if you ask the natives, nobody can give you a plausible answer from where the Seehas comes. I wanted to paint the Seehas in a new shape, with a luminating background like a modelphoto. But also surrealistic like a diver. I thought to paint a series, when I saw Andy Warhols six selfportraits. Every time I sell one, I paint a new one, till I have 10. Last month I sold the taupe one. This is Nr. 8. in karminred it isnt really dry but its still sold - yeah! At the moment only the kobaltblue one is buyable at my gallery in Basel Switzerland (www.galeriekatapult.ch). And there will be only two new ones than the series is complete. Hannes Seehas karminrot (8) (2015) oil on canvas 47.2 x 51.2 inch www.eckhard-besuden.de

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de

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