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Hannes Seehas phtaloblau (9 of 10) Print

Eckhard Besuden

Germany

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$120
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About The Artwork

This is the Nr. 9 of the Hannes Seehas series. I only paint Nr. 10 than the series is full. He is still sold to a collector in Basel. The Seehas (lake rabbit) is a mystic figure of the lake of constance. Hannes and me had our own interpretation of the lake rabbit :), Hannes Seehas phtaloblau, 120 x 130 x 5cm, 47.2 x 51.2 x 3 inch, oil on canvas 2016 We don’t have fixed the price for every painting of this artis, because the price and the availability of the paintings are changing very fast at the moment. You can also look at the artists homepage www.eckhard-besuden.de if the painting is still available. If you find the mark “in private property” the painting is still sold SORRY. If you find the mark “in artists property” the painting is still available, you should contact us. Or if you find the mark of another webside of one of the other artists galleries you can buy the painting at that gallery, please contact the gallery.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de

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