VIEW IN MY ROOM
My work captures the moods and sensations I feel towards the people, objects and places that I love. I hope my paintings will also convey to the viewer a deeper understanding about the passing nature of the things we love. I like using acrylic paint because as a water-based medium it allows many layers of paint to be built up while still retaining a feeling of lightness. For my smaller works I often use chunky wooden panels to paint on as this give the works a strong presence on the wall without needing a frame. Northern Lights leaves bare the sides of the wooden panel as I like the effect of thick paint coming over the unprimed edges. I think my work looks best when hung on its own in a quiet space that encourages the viewer to contemplate its mood and meaning.
Print:Giclee on Fine Art Paper
Size:12 W x 9 H x 0.1 D in
Size with Frame:17.25 W x 14.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
I was born in North London and grew up in in the Surrey Hills. As a child I was always drawing, painting and making things. After I left school at 17 I worked for two years for an interior design business before enrolling at West Surrey College of Art and Design (now UCA, University for the Creative Arts), where I did my foundation year. It was a very exciting time, with conceptual art taking off and so many different influences, including music. After West Surrey I studied for a BA in Fine Art at Bath Academy of Art in Corsham, where my tutors included Adrian Heath (the great British painter and friend of Terry Frost) and Peter Kinley. After leaving Corsham I moved to London and started to paint full-time. I had several exhibitions, including a solo show at the Crest Gallery and a group show of New British Art at the London Hippodrome. I also started to study graphic design and typography and, although I continued to paint I found my design and typographic skills increasingly in demand, especially for creating high-concept photographic publications. Then in 2009 I lost my older brother to a brain tumour, and I found myself taking a long, hard look at what I was doing, working to deadline all the time and rarely finding the time for my painting. I asked myself if this was what I really wanted to do. And the answer was No. I decided to have a complete change and in 2011 and moved to west Cornwall, near St Ives. I took on a studio and threw myself into painting. Working full-time as an artist and being in the Cornish landscape has had a huge impact on the development of my work. I began to show my work regularly with the Penwith Gallery in St Ives and take part in Cornwall Open Studios. I’ve also had two solo shows in Penzance, and have a group show coming up in St Ives in 2019. (With thanks to Alex Wade and Cornwall Today magazine for the interview which I used as the basis for this biography.)
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