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Germany
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Canvas
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16 x 12 in ($95)
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Black Canvas
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White ($135)
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Artist featured in a collection
Every poeple of constance knows, that the bathers and the idlers come to the Seerhein at noon. There was this horse that mused: And if you want my faith, never betray me to the new. The horse didn’t come neither from reality nor from the unreal. It comes from the between. Nowadays artist careers are made with record-price-news, with works of antidecoractive inconsolability, which mourns human abysses, without making them feel no even. Im searching for another possibility. My art often has no cause, I first have to develop my concern. Today I am the horse coming out of the between. It claimes high literary standards, which normally only fiction demands from imagination. Jeder Konstanzer weiß, dass sich die Badenden und Müßiggänger am Seerhein ab Mittag zum Sonnenbad treffen. Da war dieses Pferd, welches in der Sonne sinnierte: „Verlangst du von mir meine Treue, verrat mich niemals an das Neue“. Es kam weder aus der Realität noch aus dem Irrealen, sondern aus dem Dazwischen. Künstlerkarrieren werden heute vor allem mit Rekordpreismeldungen gemacht und mit Werken undekorativer Untröstlichkeit, die den Abgrund des Menschlichen beklagen, ohne ihn auch nur entfernt spürbar zu machen. Ich suche eine andere Möglichkeit. Meine Kunst hat oft keinen inneren Anlass, ich muss mir mein Anliegen erst erarbeiten. Derzeit bin ich das Pferd im Dazwischen. Dessen Beschreibungsgenauigkeit erhebt jenen literarischen Anspruch, den Fiktion sonst nur der Fantasie zuschreibt. www.eckhard-besuden.de
Print:Giclee on Canvas
Size:16 W x 12 H x 1.25 D in
Size with Frame:17.75 W x 13.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Germany
Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de
Artist featured by Saatchi Art in a collection
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