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France
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Fine Art Paper
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9 x 12 in ($66)
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White ($80)
Ethereal vision of island of Murano (Venice). Art and craft of glass blowers. Emerging shapes, shimmering colors. "Quand il [le verre tourné au four] eut l'aspect d'une pâte rougeoyante, il y planta sa sarbacane et souffla. Une bulle perla, aussi fragile et insaisissable qu'un rêve d'enfant". In "Le Souffleur de rêves", B. Villiot, illustrations de T. Prugne. Ed. Gautier Languereau. France, Vanves : 2015. Album jeunesse. / "When it [the glass was spinning in the kiln] looked like a glowing paste, he planted his blowgun and blew. A bubble of perla, as fragile and elusive as a child's dream". In "Le Souffleur de rêves" (The dream blower), B. Villiot, illustrated by T. Prugne. Ed. Gautier Languereau. France, Vanves : 2015. Youth Album. Acrylic with brushes. Canvas stretched on a wooden frame with spacer. Horizontal rectangular format.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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France
French Woman) For me Abstract painting is emotion in colors. forms, energies, arise for a plural look I liked art very early, I started with drawing and painting (freehand reproductions). My motivation was always need to create. I realized it by writing and especially by self-taught painting. I secretly nurtured a vocation of artistic expression that grew in power. I visited galleries and museums in France and abroad, I followed artistic learning (university drawing course: figurative). Visits to the workshops of contemporary painters who kindly welcomed me, were the definitive trigger in years 2000 of a more intense practice. My taste for aesthetics, colors, textures and free expression of deep emotions naturally led me to contemporary on the margins of my professional activities. I took online acrylic painting courses. Here are some of my paintings. I use acrylic for its fluidity. I work mainly with brushes, brushes, sterilizers, sometimes in mixed technology with knives, spatulas, sponges, hands, sprays, pouring. I try to combine spontaneity and pictorial structure. My starting point can be intuition, impression, nsight (an inner vision), colour, line, shape… I like surprises and plastic incidents. I often play with effects of reliefs, movements, drops, dissonances, contrasts, irruptions, unfinished.
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