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Spain
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Fine Art Paper
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10 x 10 in ($40)
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White ($80)
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Blue Velvet deshilachado responde a una necesidad de encontrar donde apenas se ve. A caballo entre la vigilia y el sueño se produce un estado de sopor acompañado de pesadez en los párpados y de visión borrosa.. Es esa hora azul antesala de la Noche donde las figuras se emborronan y las luces palidecen adquiriendo matices imperceptibles. Los paisajes se deshilachan en la retina como recuerdos del inconsciente mas lejano y es entonces cuando disparas la cámara con la esperanza de recuperarlos, cual Avatar enardecido. Nunca me interesaron los posados, no busco la nitidez de una imagen ni la comodidad en el disparo, más bien lo contrario, me mueve la intuición en un instante como cuando el camaleón dispara su lengua en la precisa milésima de segundo que su cerebro le dicta.. Quiero conseguir que esa imperfección transmita una emoción o una sensación muy inquietante… Como si quisiera pintar con mi cámara. Captar los tonos y los matices de los colores cuasi ausentes, y esos límites difuminados de las líneas y de los contornos de las cosas es mi reto y mi desafío.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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isabelruizperdiguero (without spaces), is my professional name. As a Spaniard born in Madrid I use both my father and my mother’s family name, so I get to keep them happy. Color and emotion have become the equation at the basis of my work. My inspiration is nature, small things, sensations, the colors that surround us not only on specific objects, but also the color in abstract sense, for example as part of light reflections and its different shades too. Attitudes, feelings, the intangible, the spiritual, humor, happiness and suffering. Since I was a child I’ve felt the need to paint. First my mother gave me a case full of oil paintings and taught me the basics. I used to paint scenes of my childhood, my surroundings, in the most ‘naif’ way. In my first youth I began painting in a nearly obsessive way building fronts, lookouts, balconies and other beautiful and decadent corners where people wouldn’t belong, using a very thorough and hyperrealist technique and devoting to it hundreds of hours which I would balance with my studies. With the perspective you gain with time, I think I didn’t want to look inside of me. I’d rather lurk the exterior from those facades like a ‘voyeur’ worried only about attaining a beautiful image, with no clear references to my being. It was later on, shortly before my first son was born when I did an exhibition called “Papeles Pintados” (Painted Papers) where I gave free rein to all kind of graphics, spots, abstract shapes with pencils, wax crayons, pastels and where I entered the path of discoveries that awaited ahead. When my first child was born, we moved to San Lorenzo de El Escorial, a beautiful mountain village 60km away from Madrid, where I could afford wider studios in contact with nature, share my inquietude with the many other artists of different nationalities that live here and also use their engraving workshops. With no premeditation and the canvas laid on the floor I start the crazy stew, playing, looking without seeing. Sometimes in a calm manner and sometimes like in a spasm, or a spontaneous burst of laughter. While the paint is still fresh I let the colors shift and flow breaking the white, setting invisible ways which, without a doubt, are already predesigned. Just like a seminal fluid that ends up engendering life. With the new day canvas rise, regaining their verticality: everything that was fluid is now solid, everything that moved is now still.
Artist featured by Saatchi Art in a collection
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