VIEW IN MY ROOM
United Kingdom
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Fine Art Paper
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12 x 6 in ($88)
Add a Frame
White ($80)
Artist Recognition
Artist featured in a collection
Qi is an ancient Chinese word with many meanings. It has accumulated these meanings because of its special place in Chinese philosophy and metaphysics, especially in the context of Dao, The Way. The core meaning of Qi is lifeforce, the energy which Daoism claims animates all material things, both living and inanimate. And it relates to another meaning, Breath, as in the breath of life, as both a metaphor and as a fact. The ideas of breath and lifeforce have been linked together by many cultures and traditions, through time and across geography. This triptych is one of an extensive new series of work that I am developing over the next months and years, seeking visual metaphors for the visible and invisible processes that run through all creation, whether seen in terms of gods and spirits or quantum mechanics. This work is available printed on paper, for framing, or cotton, which can be framed or allowed to hang loose. This triptych is also available at the smaller size of 100cm x 203cm for $2,8080
Print:Giclee on Fine Art Paper
Size:12 W x 6 H x 0.1 D in
Size with Frame:17.25 W x 11.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
ARTIST CURATOR. I work as an artist curator, minus the hyphen. I attempt to balance both roles: seeking the concentration and focus of making images, objects and installations that are directed at the individual viewer; embracing the collaborative and enabling task of shaping exhibitions and events that are created in the company of others. As an artist, I work invariably with a high definition camera, but my intention is to reach beyond the image - towards the making of an effective and affective object, perhaps even an experience. Inevitably, this leads me to explore both materials and the immaterial, scale and the use of space. As well printing on art paper, I print onto aluminium, acetate and fabric, especially linen and cotton. When appropriate, I like to let the prints hang freely, unmounted and unframed, so they can respond reflexively to movements in the air. And I use translucency to animate the prints further, as they alter their appearance in response to changes in the light. Although these frequently large prints are at the centre of my output, recent exhibitions have included video projections, sound installations and handmade books, or booklike objects. Making books as been an interest for a long time, but now it is moving towards the centre of my output, as a complement to the translucent prints As a curator, I seek to create exhibitions that both generate and contribute to conversations, that cross boundaries and widen horizons. In addition to visual artists, my exhibitions often include contributions from performers, using movement, music, words and ideas. At present I am getting great pleasure from working with poets. I think poetry and visual art -both of them elusive and allusive media- can become great companions.
Artist featured by Saatchi Art in a collection
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