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The Anna Effect: Pastel Forests Print - Limited Edition of 1

T Paige Dalporto

United States

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About The Artwork

A few moments ago, I was taking pictures of a telephone pole. I can imagine what I looked like to the people of Montgomery passing by. Here I was with my camera pressed up against the pole snapping away. During this time a passage from the book, "Mr. God, This Is Anna", flashed through my mind. Don't know if you've read the book, but it's about a 5 year old girl who see things differently. The book meant a lot to me during a very desolate time in my life. Without much fanfare I realized my new photography should named for her, The Anna Photographs. Let's see if it sticks. I've gone through a bunch of titles, but this one really tops the rest. I am quite pleased with this photograph that I took a while back and forgot about, but now I really like. I did hardly anything to it. The auto correct on my photoshop program just brought out all the wrong things. It tends to make things too contrasty. The blacks go utterly black. I like to keep the chalky, airy look of the original if at all possible. I bump up the saturation just a little. I may tone it down in places later. In the far right corner top you can barely see a large looks like a sycamore or beech tree, some light skinned tree, right where it's supposed to be. And again this is a full frame shot. NO cropping. This one will blow up real big. It could cover a wall, no problem.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

https://youtu.be/IyvibLfHnS4 Somewhere between Impressionistic and Surrealism, Composition is important, Detail is important, Contrast is important, Lighting is important. Beauty is important. Freezing the subject is not important. tripod free. holding the camera is important as facilitator. It's been a revelation to me what the camera is capable of. And what the human eyes does not see. So this is visibility. Expanded. (I will say, the shutter speed is slow and the aperture setting is appropriately 22 ish or smaller). Monet and the Impressionists and the Decisive Moment photographs, who tried to capture what they saw when they saw it. I have brought us much closer to this goal. These photographs are made in the field, at the moment I press the shutter button of my camera. They require little more than your basic darkroom work. I started taking pictures when I was 12. Even then I was ahead of my time, taking pictures of my Weimeraner dressed up in sweat pants, seated upon my go-cart, and on the roof my parents house. (The dog was the trusting sort). I also came up with the Ken Burns Effect before Ken Burns, with a video I made and still have. I was a photojournalist in WV for 20 years. In 2007 I began taking these Unique Fine Art Photographs, One day they will rock the art world. Get in now on the ground floor, if you're an investor, or if you just appreciate beautiful, unique fine art photography, or nature, revealed as the human eye has never seen it before, for the very first time in these photographs. If you like, buy one please. Needing that validation. T. Paige

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