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Serbia
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Photo Paper
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8 x 12 in ($40)
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White ($80)
During the creation of the exhibition Ecstasy in 2022., I have used the principles of relational aesthetics, in order to record the interactions between public and Roma musicians in the created field in the gallery of the Faculty of Fine Arts in Belgrade through a happening and a video-document. The goal was to encourage an increase in positive hormones and mood through the created event, with props that invited involvement. This exhibition deals with breaking out of gender roles through the introduction of time for fun. It also touches on the topic of time resources and the eight-hour division of the day, promoting the organization of time for work, rest and entertainment, which aims at a more fulfilling life. I chose the technique for these sculptures because it allows me to scan my body in a dance ecstasy and to print that information in small dimensions. Ecstasy sculptures are made in these dimensions in a series of 3 pieces.
Print:Giclee on Photo Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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My artistic practice relies on a personal approach, emerging from the sphere of the intimate and private, and bringing everyday life routines and roles imposed by tradition into the realm of dilemma. Using the language of naivety, kitsch, and junk as an artistic strategy, I challenge choices in relation to established stereotypes and social patterns. Within the artistic process, I focus on what is important on my path of authenticity. Analysing personal experiences, I dissect social constructs. Aspiring to revealing one’strue needs, I encourage the possibility of personal choice - as the path to authenticity in a society overwhelmed with stereotype and prejudice. My art imitates everyday life. Following that concept, I search for the most accurate expression and form for materialisation. Therefore, sculpture appears to me as an expanded field, from traditional form to complete abandonment of form, leaving only the area created for the event. In addition to beinga mother, a wife, a professionalanda housewife, I have a great need to fulfil myself through my work in art. Struggling with social and gender roles, as well as daily responsibilities, I borrow the time. Thus, life situations become material for creation, and the time that is "stolen" from everyday paid and unpaid obligations becomes a field in which it is possible to work and live a more fulfilling life.
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