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Remembering Print

Richard Arfsten

United States

Open Edition Prints Available:
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9 x 12 in ($40)

9 x 12 in ($40)

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$120

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Artist Recognition
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ABOUT THE ARTWORK

About 30 years ago I was approached by a very specialized cement contractor who made fake rock formations for theme parks and zoos. He had made a 30 foot tall King Tut for a client. His company was good at making rocks but making people left something to be desired. His client had a dream to make a nondescript standing American service man on a pedestal that was larger than the Statue of Liberty. He wanted me to come up with a design and a maquette that they could measure off of to begin the engineering and to use to sell the concept to influential people. I got the “this will make you famous pitch”. Red flag, red flag, somebody is looking for me to donate my time, nada nada. It was supposed to be built like the fake rocks with a sprayed concrete process with me carving the final skin while the sprayed concrete was still wet and plastic. The idea was to make it in sections like a layer cake and stack them on top of each other. After it was assembled it was to be sprayed with molten bronze. It was a new process that was supposed to revolutionize the large sculpture making industry. Great idea if it worked. This is a photograph of the 6 foot tall clay maquette I sold him that he took to events to raise money to build the sculpture. There were a lot of news paper articles written about it at the time. It is a serviceman coming back to a cemetery near the cliffs of Normandy to remember and pay homage to all who died on D Day in WW2 and all our other wars and conflicts. The wind is blowing and he has flowers to leave. I am still waiting for the call to start carving the wet cement on this monumental project. Every time I call for a status report they tell me it is not dead yet. I am not holding my breath anymore in anticipation that the project will go forward.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

9 W x 12 H x 0.1 D in

Size with Frame:

14.25 W x 17.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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