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The Red Sands Garden Print

Ray Besserdin

Australia

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About The Artwork

A stroll in the Australian Royal Botanic Gardens, Cranbourne, part 1/4. On entering The Red Sands Garden, the visitor is treated to a landscape design of colour and breathtaking view that is so like experiencing Australia’s Red Outback it almost needs focal adjustment. For the flora that thrives here, it’s in fact a harsh yet wonderous environment supporting only tough plants of short stature, often bearing fascinatingly beautiful floral structures like those of the Desert Rose and bizarre, aptly named Kangaroo Paws. Bottle brush flowers such as Banksia make a popular source of nectar for pollinating birds like Helmeted Honeyeaters. A closer look reveals fan shaped Scaevola half-flowers and curious Lichen covered forms looking like branched abstract sculptures. Sculptured from Hahnemuhle (Germany) 300gsm cotton NOT, Arches (France) 310gsm cotton hot-pressed mould made papers and a variety of handmade Hemp, Flax, and Kozo (Mulberry) papers from Awagami (Japan) and other Asian sources, some as light as 4gsm. Single colour ink tint and background wash. Box framed in distressed white limed Australian Tasmanian Oak with shatter proof acrylic glazing, ready to hang. - "Honoring the Earth Day 2022" international online group exhibition, Diversia 2022, Exhibizone, Canada - Finalist Stanthorpe Art Prize 2021 - Second Place - Botanicals Exhibition - The Art Room Contemporary Gallery 2019 - Second Place - Botanicals Exhibition - LightSpaceTime Gallery Florida 2018.

Details & Dimensions

Print:Giclee on Photo Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Internationally acclaimed Paper Sculpture Artist from Melbourne, Australia. Ray Besserdin, has established a 35-year career that is recognised internationally with extensive awards to date, including two gold from New York, and a “Gold Medal for Creativity” from Mondial Art Academia, France. Born to artist parents, Ray’s techniques are entirely self-taught. He sculptures artworks dimensionally much like bas-reliefs working with “a palette of sheet-formed papers” that offer a wide spectrum of colours, textures, solidity, and delicate translucency. The stocks are mostly mould-made or handmade cotton, mulberry (Kozo), hemp and flax stocks from Europe and Asia. Works range from miniature to over 6 by 3.8 metres and vary from abstract to ultra-realistic. Inspired by painters of the French Impressionist Period, Ray pioneered and developed a technique to achieve their kind of aesthetic expression using sculptured torn papers three-dimensionally, where they used paint two- dimensionally. This “Impressionist Sculptured Paper” is what he considers his signature style. Its focus is to capture emotion, life, and expression over realism using torn, raw pieces arranged into the likeness of the subject yet always revealing the character and nature of the papers from which the subjects are created. Nature is his favourite subject matter. Works hang in private and corporate collections in London, Monaco, Munich, Manhattan, Tokyo, New Zealand and throughout Australia. Ray is Australian Ambassador for Mondial Art Academia, France.

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