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Photography, Screenprinting on Paper
Size: 30.7 W x 28 H x 0.2 D in
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This work is part of the tryptich called "Vidas trans", a metaphorical approach to the lives and feelings of transgender people. It was made for the exhibition "Vidas Trans" ("Transgender lifes") in Casa de Vacas, Madrid (Spain), in July 2016, and is part of the 2019 exhibition "Micro Teoremas". EDITIONS AVALAIBLE Museum 28" x 20" / Edition of 5 Paper Hannehmule Photo Rag 188g / Printed by artprint studio in Madrid and supervised by the artist Paper margin < 4 inch Medium 20" x 14" / Edition of 15 (14 avalaible) / Paper Hannehmule Photo Rag 188g Printed by artprint studio in Madrid and supervised by the artist Paper margin < 4 inch TECHNIC Photography. Digital composite. Hypercollage. Giclee. CREATION DATE June 2016 MATERIALS The Hannehmule Photo Rag & Photo Rag Satin is acid free, 100% white cotton paper, specially designed for FineArt applications. has a lightly defined felt structure, lending each artwork a three-dimensional appearance and impressive pictorial depth. Combined with the matt premium inkjet coating, this paper produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. Museum quality for highest age resistanc ( ISO 9706 conform ). The inks used in this high quality prints are tested to remains at least more than 150 years under UV glass. CERTIFICATE Each print is numbered and signed in the backside and comes with a Certificate of Authenticity. CONSERVATION Recomended to frame it with a museum glass, to protect it against the dust an the UV. DELIVERY Between 3 and 7 days depending on the selected size.
2016
Screenprinting on Paper
5
30.7 W x 28 H x 0.2 D in
Not Framed
Not applicable
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Spain.
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Pepe Domínguez (Madrid, 1966) is a visual artist specialised in digital hypercollage, photography, and new technologies applied to imagery. He holds a degree in Fine Arts from the Complutense University of Madrid (painting) and has further specialized in design, digital imaging, and frontend development through various courses and workshops, alongside numerous projects for public institutions, multinational corporations, and financial entities. His work, influenced by both classical painting and early avant-garde movements, combines elements of photography, 3D, drawing, video art, artificial intelligence, and other computer-generated graphics, integrating them into a single image or series (digital hypercollages). He explores themes such as biological processes (“Larva”, “Axiomatic”), sexuality (“The Atrocity Exhibition”, “The Senses”, “Pornodelic”), or social critique (“The Mirror”, “Still Life”, “Rise and Fall of the Middle Class”, “The Politics of Insects”), all enveloped in a certain ambiguity to create a series of works that are as dreamlike as they are unsettling. He has participated in a variety of solo and group exhibitions in art galleries and cultural centers, mainly in Spain. His works have been exhibited at ESTAMPA (Madrid), El Foro Cultural Center (Madrid ), Carmen de la Guerra Gallery (Madrid), CRUCE (Madrid), Ateneo de Guadalajara, Casa de Vacas (Madrid), Infante Don Luis Palace (Ávila), Studio RGF Arriaza, and Cafebrería Ad Hoc. He is a regular contributor to **LIBRO OBJETO ST.** (24 editions), a collective artist's book present in numerous national and international collections (Library of the **MNCARS**, **National Library**, **MIDE**...).
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