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Daily Neightborhood Painting

Fernanda Luz Avendaño

Chile

Painting, Oil on Canvas

Size: 100 W x 65 H x 6 D cm

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This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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I made a series of oil paintings looking thourgh windows. From the heigh of a nineth floor, this window was facing "Hospital Salvador" in Santiago, Chile. This wing of the hospital was being demolished and it had been abandoned for several years, although it was in perfect shape. In Santiago they bu...

Year Created:

2019

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

100 W x 65 H x 6 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Chile.

Customs:

Shipments from Chile may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I work in Santiago, Chile. My work focuses in the representation of urban landscape through painting and drawing, crossing with architecture, urbanism and natural science. I am interested in the poetic relations that exist between contemporary landscape and modernity, thinking landscape as a dialectic image (Benjamin). Some concepts that appear in her artworks are: Ruins, non-place (Auge), Heterotopy (Foucault) and monument, searching through representation their relation of power, throught time and space, and their definition as symbols or allegories. I am interested in painting and drawings because of their composition of layers, where their methodologie speaks not of and instant, but of a visual thinking through time (Hockney) and an analogic language (Deleuze), were there’s space for random elements or accidents (Bacon) I base my work in a geometrical and mathematical system, with a bounded pallete of complex colours (uncleaned and greys), quoting modernism.

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