29 Views
8
View In My Room
Canvas
16 x 16 in ($198)
White Canvas
White ($150)
29 Views
8
Featured in the Catalog
Artist featured in a collection
Hanging a portrait in one‘s room is always an invitation to let a stranger in. Even if the person depicted is not a real person, you inevitably enter into a relationship. In my new series (Grecian Lady, Godwards Julia) I want to prevent this relationship as much as possible. For this I cover the face or parts of it with graphic elements. (For me, it has a similar anonymizing effect as a Covid mask.) Through „depersonalization“ I let a figure into my environment, but leave the person out. The women’s portraits of Academic Realism, in classic/antique clothing, represent an idealized, romantic and intact world. As a result, they radiate longing and melancholy, which Anja Wülfing surrounds with oppositional, abstract elements and geometric forms. She sews together fine and coarse canvas fabrics and then paints classic elements in oil and the abstract ones with acrylics, pencils and markers. The painter works with oppositional contrasts in composition and color.
2022
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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Germany
Anja Wülfing, based in Cologne, Germany, is an artist whose work revolves around the exploration of contrasts and oppositions. Her creative drive stems from the duality within her artistic vision: one side deeply rooted in the traditional aesthetics of Baroque, Rococo, and Neoclassicism, and the other drawn to the freedom of abstraction. Wülfing’s art seamlessly blends these opposing forces, where figuration meets abstraction, and tradition intertwines with modernity. She achieves this through her unique approach to materials and techniques, stitching together fine and coarse canvas and using a mix of media. Classic elements are rendered in oil, while abstract components are brought to life with acrylics, pencils, and markers. This fusion of different textures and methods creates a harmonious unity out of seemingly disparate elements. In her compositions, Wülfing plays with contrasts such as light and dark, dynamic and static, strict and playful, crowded and empty. Yet, she carefully balances these opposing forces, ensuring that neither dominates but rather enhances the other. The styles may seem to compete for attention, but in the end, they coexist in a mutually enriching dialogue. Her painting process is precise and methodical, drawing on the familiar, the time-honored, and the matured. The figures are meticulously painted in oil, while the abstract elements, added in acrylics, pencils, and markers, bring a modern energy. Through this blend of classical technique and contemporary expression, Wülfing creates distinct “frequencies” of emotion and mood, shaped by the interplay of form and color.
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