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Datus C Smith Painting
Germany
Painting, Oil on Wood
Size: 19.7 W x 19.7 H x 1 D in
Ships in a Box
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About The Artwork
When you read Theory of games and economic behavior of Datus C Smith you find a mathematic answer, a rule, with the factors economy, evolution and intelligence with a common mathematic basis. That’s … interesting. But - Im making a digression. My thougths are unintentionally at Salingers Catcher in the Rye when I read Smith. If you read the two books side by side the parallels are impossible to overlook. That is surprising one more time. Can I paint this strange fact? Datus C Smith, (2017) oil on canvas, 19.7 x 19.7 inch, 50 x 50 cm, www.eckhard-besuden.de In der theory of games and economic behavior stellt Datus C Smith gleichzeitig Wirtschaft, Evolution und Intelligenz auf ein gemeinsames mathematisches Fundament. Das ist hochinteressat. Aber mein Geist schweift ab. Er erinnert mich an Salinger und seinen Fänger im Roggen. Dumme Assoziation? Liest man beide Bücher nebeneinander sind die Parallelen auf einmal unübersehbar. Das ist überraschend. Kann man das malen, kann ICH das malen? Datus C Smith, (2017) oil on canvas, 19.7 x 19.7 inch, 50 x 50 cm, www.eckhard-besuden.de
Details & Dimensions
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:19.7 W x 19.7 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de
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