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Eismeer 2 Painting
Germany
Painting, Oil on Canvas
Size: 66.9 W x 51.2 H x 2 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
About The Artwork
I wanted to paint a shy grace. My moderation focused Max Kurzweil, who felt into oblivion. He's said to be a shy man compared to the excessive selfportrayal of the Wiener Secession. It was, as if he has waited silently for his discovery - but it don't happend. God has given us a lot of death in our lives, but also a little beauty and I feel a little responsible for the beauty... Ich wollte eine schüchterne Anmut malen. Meine Mäßigung galt Max Kurzweil der aus äußerlichen Gründen in Vergessenheit geriet. Er galt als scheu, als zurückhaltend im Vergleich zur hemmungslosen Selbstdarstellung der Wiener Sezession, so als warte er leise auf seine Entdeckung, die ihm nie zuteil wurde. Gott hat viel Tod vergeben, aber er hat auch viel Schönheit vergeben und ich fühle mich mitzuständig für die Schönheit... www.eckhard-besuden.de Antideterministic art
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:66.9 W x 51.2 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de
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