VIEW IN MY ROOM
Switzerland
Painting, Acrylic on Wood
Size: 20.9 W x 9.6 H x 0.1 D in
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On this small abstract painting, I loved to use brown which is a composed color difficult to use... unless you sustain it with a light blue, ceruleum for instance. One in a sudden, brown is not boring anymore. Well, I hope you get the same feeling ! (it is on plywood, signed on the back, framed in a black american box ; more photos to be uploaded soon) *** Sur ce petit tableau abstrait, j'ai aimé utiliser le marron qui est une couleur composée difficile à utiliser... à moins de la soutenir avec un bleu clair, le céruléum par exemple. D'un seul coup, le marron n'est plus ennuyeux. J'espère que vous ressentirez la même chose ! (l'oeuvre est sur contreplaqué, signée au dos, encadrée dans une boîte américaine noire ; d'autres photos seront bientôt mises en ligne)
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:20.9 W x 9.6 H x 0.1 D in
Frame:Black
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Switzerland.
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Switzerland
- Photo: Naples, Italy, March 2019 - Born April 1947, married, 2 children, 5 grand children. - Graduated in economics, then swiss banker in private banking from 1974 to 2007. - Started drawing in travel sketchbooks (self taught) at the age of 48 in 1995, and painting much later in 2007 at the age of 60. - Former "urban sketcher", from 2020, writer of historical novels. My desire to paint comes from the interest for expressing something aesthetic or gaudy, for finding an unstable equilibrium, for experimenting with different approaches, for renewal, testing, trying. Even though I’ve done mini-series, I don’t like to stick to one repetitive process. To me, painting is a dialogue between control and letting go and abstraction is of particular interest because it allows us to to express things that would otherwise escape our senses. It’s still a large field, even though everything is supposed to have already been made.
Artist featured by Saatchi Art in a collection
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