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Margeriten V Painting

Eckhard Besuden

Germany

Painting, Oil on Canvas

Size: 47.2 W x 31.5 H x 2 D in

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Originally listed for $12,000
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About The Artwork

Ein Persoenlichkeitsmerkmal der Margerite ist ihre Langsamkeit. Sie ist traeumerisch, fluechtig aber stets lichtdurchflutet. Eine parallele Welt tut sich hinter ihrem Vorhang auf, als sei es das Selbstverstaendlichste auf der Welt. Ihr geht es um etwas Außerweltliches, Unerklaerliches, welches entweder in einer unfassbaren Verschwoerung miteinander verbunden ist oder ganz zufaellig nebeneinander steht, so ganz sicher kann man sich da nie sein. Wir haben ihre Bescheidenheit zu loben, ihre Beschränkung des Dekors, die hastige Art ihrer simplen Farbgebung, ihr zunaechst einfach erscheinendes Rätsel verdoppelt sich durch die naechste. Wer eine Margerite ansieht und nur von Kunst etwas versteht, versteht auch von Kunst - gar nichts. Margeriten V, (2016) oil on canvas 31.5 x 47.2 inch, 80 x 120 x 5 cm www.eckhard-besuden.de antideterministic art

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 31.5 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de

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