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Sommermeer (Summersea) Painting

Eckhard Besuden

Germany

Painting, Oil on Canvas

Size: 31.3 W x 39.4 H x 2 D in

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Originally listed for $7,700
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About The Artwork

When I came with my parents from Freundenstadt (southgermany) to Leer (northgermany) I first missed my friends, I was disappointed. But than our family visited the sea. I was very impressed. There was only light, blue, sky, water. I missed nothing anymore... Summersea, 2016, oil on canvas, www.eckhard-besuden.de Barbara hat mich gefragt welches zweite Bild neben dem Tellerrand für die Art Miami vorgesehen sei. Das Thema ist "gates of paradise". Für mich ist das Meer ein Paradies. Als ich zum ersten mal mit meiner Mutter und meinem Vater an die Küste bei Norddeich kam war ich vollkommen paralysiert. Der Eindruck des Meeres war stark. Ich machte diese Erfahrung und suchte eine Geschichte dafür. Aber wenn man das Meer malt, muss man aufpassen, dass es nicht zur Postkarte verkommt. Den meisten Künstlern reicht ein schlicht dramaturgischer Schachzug, der in der Regel aber flach daherkommt. Ich meine: Am besten man lässt das Meisste ungesagt, stösst nur an, lässt dem Betrachter Offenheit. Wir beleben gestalterische Elemente, die so scheinbar deplaziert sind, und vermeiden mit einem dramaturgischen Schachzug zu punkten. Zudem muss man dekorative Untröstlichkeit vermeiden, wir kennen gerade in der Neuzeit die menschlichen Opfer des Meeres das wäre einfach zu flach. Konzentrieren wir uns auf das Monster Meer. Während also der Himmel auch einem Himmelblau zugänglich ist, wird das Meer - das Monster - in Indigo dem schwärzesten Blau überhaupt durchgemalt. Jetzt - gehen wir mit dem Meer - verloren...

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.3 W x 39.4 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de

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