VIEW IN MY ROOM
Weisse Tulpen III Painting
Germany
Painting, Oil on Canvas
Size: 78.7 W x 55.1 H x 2 D in
Ships in a Crate
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About The Artwork
Emil Nolde argued that flowers be representative of the life cycle. He was so fascinated by growing, blooming and fading. Only their life cycle of flowers is much faster than ours, therefore it is particularly suitable to paint he thought. I have painted the white tulips (tulips in the garden of my grandma in Duisburg) three times until now - 1997, 2004, 2014 - one for every of my last three decade’s. This is the third painting of my fifties. You can see them all on www.eckhard-besuden.de item “flowers”. Hope I can paint some more white tulips.. Emil Nolde war der Auffassung, dass Blumen unseren Lebenszyklus noch am wirklichkeitsnahesten wiederspiegeln. Er war fasziniert von ihrem Wachsen, Blühen und Verwelken. Ihr Lebenszyklus sei viel schneller als unserer, daher würde er sich zum Malen besonders eignen.. Bisher habe ich die Weissen Tulpen dreimal gemalt – 1997, 2004 und 2014 – eines für jedes Jahrzehnt meines Lebens seit meinem Dreissigern. Das hier sind meine fünfziger Jahre, die gerade begonnen haben. Ihr könnt sie auf meiner Homepage unter der Rubrik „Blumen“ alle sehen (www.eckhard-besuden.de). Ich hoffe ich schaffe noch das ein oder andere… Weisse Tulpen III (2014) oil on canvas 78.7 x 55.1 inch, 200 x 140 cm www.eckhard-besuden.de Antideterministic Art
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:78.7 W x 55.1 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de
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