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Latvia
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Fine Art Paper
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6 x 12 in ($40)
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White ($80)
Fascinated by the discovery of Tarot universe, Velta Emīlija decided to draw her own Tarot cards as a series of large scale watercolor paintings. Like so many artists before her, she started with the characters of Major Arcana. Velta realised these are really strong archetypes who like to be expressed and manifested through painting. They can't wait to inhabit the visible world by the help of yet another artist. High Priestess is the one who finds peace and joy in the stillness of night, in solitude and prayer. There she is deep in an ecstatic experience, kneeling on the Moon. She is guarded by two lizards, each is holding a mysterious shell in their laps. High Priestess is guarded also by her angel-mother or Madonna. The scene is set in ultramarine blue, the color of longing and serenity.
Print:Giclee on Fine Art Paper
Size:6 W x 12 H x 0.1 D in
Size with Frame:11.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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My love for printed words is so strong that I make paintings and sculptures from orphaned books. I add different sorts of paper, textile fiber and found objects and treat this mixture as if it was a marble mine. I regard all human-made commodities as the raw material of the 21st century, they add opulence, playfulness and weirdness to my objects. My sculptures are hybrids - installations, huge marionettes and idol figures. I overcome gravity using a technique from marionette theater. Sculptures float in air and strings make them alive. I paint because I'm volatile. I catch all my demons and fears with a brush, so they are not threatening anymore. I'm hesitant, that's why I paint portraits in real time. Models don't have to speak. Sometimes I lay paintings in a horizontal plane, like huge rolls of parchment. The public can touch it, walk and crawl on it, contemplating the importance of daily grounding. I'm a mystic. I borrow deities and create semisacred, eerie spaces where sculptures, paintings, words and animation merge in a numinous, baroque amalgam. I love the tactile. My objects are sensuous to touch. I love word constellations, so there are collections of short stories to accompany the visual work. In a courageous mood, I transform stories into puppet performances and collaborate with theaters and musicians.
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