Sortilegio (10) Print

My works access what can be called introspective territories described through color and abstract narrative. They are the emotional paths traveled, the fragmented areas of experience, which for me translate into fertile lands for creation. Working, I become an observer, an Object/subject, who interprets my sensitivity in images and with an inner look I tell my story. And although in my creative Universe it seems that there are no predetermined rules, that each piece is autonomous and that each work acquires its own meaning in the process, each piece is linked to the concern for a specific social reality and is affected by it: the violence, inequality, crisis. Paradoxically, the introspection that leads me to this intimate monologue also has the interest and intention of finding a pictorial language that connects me with the other, my neighbor; an investigation into how these themes intertwine with personal and collective history, it seeks to capture and express the complexities of the human experience. This result of recognizing oneself in others is possible due to the certainty that despite the differences and discriminations in terms of species, race, religion, in general we have more sensitive points in common, emotions such as compassion, solidarity, aesthetic sensitivity. . , which unites us and unifies us as a species. referents/ REFLECTIONS Far beyond the need of expression, there is a liberating impulse of inner forces which drive me to creation, to the pictorial concretions of instants, that when materialized, seem to be eternal. I feel that painting brings me closer to the creator essence of the gods because I sketch worlds whimsically, I make them emerge from the background of my canvas; I give expression to them with an essentially visceral, cathartic impulse. I invent spaces, and evade myself in gestures, textures and colors; I undo myself within the silence, I approach the universal language of the senses, the time. Possibly the pathology of violence generates analogous artistic expressions in different times and places, which are a strong and intrinsic motivation to me, making my artistic activity in confinement, a palliative which allows me a survival loaded with emotional breakouts.