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View In My Room
Painting, Oil on Paper
Size: 22 W x 32 H x 0.1 D in
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251 Views
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This work morphed from one thing to another as I worked the many layers during 2020. Beginning with strong dark coloured shapes, I felt it was in need of light. The additional layers reminded me of hope and a season of spring. One can still see in the work the under layers. It did become a painting about hope, hope overcoming the darkness of a difficult year in the world. I hope that the viewer may find this hopefulness too just as I did.
2020
Oil on Paper
One-of-a-kind Artwork
22 W x 32 H x 0.1 D in
Not Framed
Yes
Ships in a Box
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Australia.
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Australia
Biography I work as an artist with an interest in mixed media, contemporary, non objective works - that are usually very colourful. A non representational approach allows me and the viewer to swim along into the work to find our own emotional journey. Although that sounds elusive it is a journey essential in creativity -more so that one never tires of engaging the new discoveries in these many layered pieces. The finished work is then simply mounted on raised cradled panels that do not require formal framing. Background: Sheila was a daughter of parents who were working class - coal miner and weaver, she was born and raised in Burnley, Lancashire a town in the centre of the industrial revolution north of England. Art was introduced to her from a young age by her bachelor uncle in the form of drawing the figure. Creativity remained in her mind and she was dreamy about art in school, thinking about the possibilities of being able to learn more about being an artist. At the age of 17 she married and within four years of marriage migrated to Sydney, Australia, where she began her formal education in art. Her dream was slowly emerging in her new home country half a world away from home. She then ventured into art tutoring for Tafe to begin with, then later she became Gallery Director in Bridgewater, South Australia where she set forth to curate regular exhibition by notable artists. Art practice and studio work about her own ideas continued along side of her gallery work ever preparing her work for a continuing round of solo exhibitions which are listed in her curriculum vitea as follows.
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