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Ecocidio - #5 Armadillo - Limited Edition of 1 Print

Ibon Herrera

Colombia

Printmaking, Found Objects on Wood

Size: 20 W x 20 H x 2 D cm

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Ecocidio (2018) es un proyecto que consiste en una serie de grabados que toma como punto de partida el término que da nombre a este proyecto, el cual, hace referencia a un deterioro a nivel general del ambiente en una zona determinada. Esta serie reflexiona sobre la pérdida de memoria sobre eventos,...

Year Created:

2018

Subject:
Mediums:

Printmaking, Found Objects on Wood

Rarity:

One-of-a-kind Artwork

Size:

20 W x 20 H x 2 D cm

Ready to Hang:

Not Applicable

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Colombia.

Customs:

Shipments from Colombia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Ibon Herrera is an artist, she holds a degree in Plastic and Visual Arts from the Santo Tomás University. Biological and digital memory are the central topics of her work; memory as a latent body that contracts and expands, a vital beat. Her most recent work addresses this topic by means of creating landscapes in movement departing from the translation into visual language of data. Data comes from seismic movements worldwide and is brought into play with biological memory, therefore, giving rise to metaphors between the pulse of the earth and its symphony with the heartbeat of the viewer. She works with obsolete diskettes, deposits of information and experiences that the artist transforms into a container of images of environmental victim species. Her exploration in search of those relationships and untimely encounters -even amongst objects themselves- has reached the antique dealers altogether. The result of this research was recorded in her works through photography as a memory device, and the possibility of memory restoration. Likewise, she uses thread, not only as a drawing tool, but also to weave stories.

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