VIEW IN MY ROOM
United Kingdom
Printmaking, New Media on Paper
Size: 33.1 W x 23.4 H x 0.1 D in
Ships in a Tube
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Artist featured in a collection
This is a map of the left hemisphere of the brain, seen through the lens of a 17th Century Explorer. I have taken the broad functional areas of the left hemisphere of the brain and drawn them as separate continents, as if driven apart by shifting tectonic plates. These continents contain settlements and features with names inspired by the functions found in each particular brain area. The Great Age of Discovery, refers to a period between the 15th and 18th Centuries when Europeans explored the world by sea and 'discovered' new lands. Of course many of these countries were already occupied by indigenous peoples, but from a European explorer's perspective, they were brand new. The quest to understand the structure and function of the brain has similarly been a process of exploration and discovery - the territory is already there, science is our method of exploration and mapping. One of the greatest obstacles to understanding the way the brain works is language itself. We talk about our mental states using a useful shorthand which works well in day to day life, but is rubbish at teasing apart the behaviour of billions of neurons and connections. For example: "I feel happy" is a phrase we all understand - but at the level of neural activity, it's meaningless. This map uses a wide range of conceptual groupings to indicate the functions of the different areas, highlighting the metaphorical chasm between our linguistically bound representations of the mind and the actual functions of the kilo or so of fatty tissue which sits inside our skulls. Covering subjects as diverse as optical illusions, children’s games, cognitive scientists, literary theorists, poets, rappers, facial expressions, philosophers, cocktails, neurological disorders and religions, this map illustrates the inherent difficulty in using our limited human mental faculties to describe the activities of the 86 billion neurons which make up a brain. This work was developed as part of the CUBRIC New Signals project.
Printmaking:New Media on Paper
Artist Produced Limited Edition of:100
Size:33.1 W x 23.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Eric Drass is an artist and curator who makes work in a range of media, from painting, to digital installation, to generative experiments which live on the net. Some of his favourite themes are identity, consciousness, the philosophical ramifications of artificial intelligence, big data and the relationship between humans and machines. Sometimes this work is political, frequently it is playful, often it is provocative or transgressive in some way. His works are frequently reported and cited online (BoingBoing, b3ta, Imperica, Computer Arts and Wikipedia etc.) Eric holds a degree in Philosophy and Psychology (Oxford) and an unfinished PhD in Cognitive Psycholinguistics (also Oxford). He is co-author on a number of patents dealing with PRISM-type surveillance technologies (long before PRISM became public), and a number of academic papers relating to neural network models of language acquisition and heritability. He also used to be a singer in an experimental hardcore band, an unsuccessful male model, and once took at dotcom 1.0 company from a bedroom project to 14 countries and back, spending $50m on the way. Twenty years ago he was a TV star in America, but he doesn’t like to talk about it.
Artist featured by Saatchi Art in a collection
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