Tabacelea Dimi

I create images that don’t ask to be explained. They pulse with tension, silence, and rhythm. My work doesn’t decorate — it installs presence.

For years, I’ve been building a wide-reaching collection where each piece is a rupture, a reverberation, a question. Digital is my medium — the ground where rupture turns into language. Every artwork is manually crafted — no AI, no automation.

Abstraction and figuration coexist — not as styles, but as states. All works are conceived as digital images that install presence and vibration, regardless of the format in which they are seen. They do not decorate — they activate tension and resonance.

Seen up close, they evoke distance. Seen from afar, they invite intimacy.

I don’t offer images. I offer vibrations. Many of my works belong to the RUPTURES collection, alongside other series that explore presence and resonance.

University of Art and Design, Romania (EU)

Early Presence (1990s–2000s) Group exhibitions in Timisoara, Cluj, Bucharest, Craiova, Arad – Romania International exhibitions in Nantes – France and Namur – Belgium Themes included rupture, constraint, and historical tension (Sans Issue, Luis XIV)

Recognition Grand Prize – Namur City, Belgium (Tercentenary “Luis XIV”)

Private Collections France, Belgium, Germany, Denmark, Canada, Romania

Current Activation (2023–2025) Digital works activated through curated rhythm and poetic compression Presence measured through resonance, not reach