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enso 1 Drawing

Sophia Hadjipapa-Gee

Cyprus

Drawing, pen and ink on Paper

Size: 11 W x 16.5 H x 0 D in

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About The Artwork

Ensō In Zen, ensō (円相 , "circle") is a circle that is hand-drawn in one or two uninhibited brushstrokes to express a moment when the mind is free to let the body create.(wikipedia). I got interested in representing the circle of enso as part of my mindfulness processes as the hand must be completely steady and the mind completely concentrated to draw a perfect circle. But even if not perfect, the circle also reflects a current, momentary state of mind, be it agitation, hope, unease or mellowness. So, I like to embrace that imperfection as well as a trace of a fleeting state of being. This is related to the idea of wabi-sabi, deriving from Zen Buddhism, that is, the beauty of imperfection. According to wikipedia , the ensō symbolizes absolute enlightenment, strength, elegance, the universe, and mu (the void). It is characterised by a minimalism born of Japanese aesthetics. My circles may be open or closed. When the circle is incomplete, it symbolises allowing for movement and development as well as the perfection of all things. When the circle is closed, it represents perfection, just as the circle was used through the centuries to represent cosmological models, or the finished, perfect creation. Usually, I draw the ensō in one mindful outbreath, striving for a single fluid, expressive stroke. Once the ensō is drawn, I rarely change it, unless i want to create several layers of ensos or a couple of circles that corresponds with one another. For me drawing the ensos is not just part of my art but also a deep spiritual practice.

Details & Dimensions

Drawing:pen and ink on Paper

Original:One-of-a-kind Artwork

Size:11 W x 16.5 H x 0 D in

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Sophia Hadjipapa-Gee, is an artist and academic, living in Cyprus. Sophia is Associate Professor at the European University Cyprus and a board member of the Research laboratory “Cultural Studies and Contemporary Arts”. She is also one of the founding members of the International Motion Festival and has been serving at its board from various positions. Besides painting she has worked on video art, interventions in Public spaces, participatory projects, illustrations of poems, covers of books and has been involved in Public art. Her works have been presented in numerous international festivals and exhibitions. She has served in various professional bodies including sitting on the committees for the Selection of Works and Artists for Biennales and serving as academic expert on the committee for composing the New National Curricula in Art, of the Cyprus Ministry of Education and Culture.

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