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Non-essential worker Drawing

Paul Ward

France

Drawing, Pencil on Paper

Size: 11.6 W x 16.1 H x 0 D in

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About The Artwork

I stumbled across this original stone carving during what at the time was my allotted 'one hours exercise' for the day. In France that was also restricted to a 1km bubble of the area surround my apartment. I couldn't help but notice the buffoonish nature and empty eyes of the carving as it sat above the entrance of a bank, didn't it just look like the hapless bin fire that is the man in control of the UK? An all round critique of the no longer veiled contempt that many right wing authoritarian governments have for the populace. The 'one rule for you and another for me' was solidified in the UK when Johnson came out against the anti-racism protests taking place around the country, claiming he 'would not support those who flout social distancing.' However two weeks before he had done just this, covering for his aide Dominic Cummings' corona virus tour of Britain. It's time to change, in fact it was time to change long ago. I hope the tapping of a million little hammers will finally breach the dam that the greedy and unjust have erected to hold us back. Their greatest fear is that we will discover our strength numbers, a tidal way of people power.

Details & Dimensions

Drawing:Pencil on Paper

Original:One-of-a-kind Artwork

Size:11.6 W x 16.1 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Manchester born, Lyon based. From rainy (sometimes breathtakingly beautiful) England to a truly stunning French city. After completed my fine art degree in Leeds, a mixed success, I was entirely lost. With a few t-shirt designs I went looking for a screen printer and ended up running a small eco-friendly clothing brand for five years. It was tough work, printing, marketing and designing everything myself. However it allowed me the flexibility to continue my artistic practise and have lots of face to face time with end users. After half a decade of breathing in much too much white spirit in an unventilated studio and a few physio appointments, Brexit gave me the kick up the arse to finally move to France to start a new chapter. Now I am lucky enough to paint and draw full time. The propane to my flame of motivation is injustice. I'm fully of the belief that an artist must pile their soap boxes high and shout to anyone who will listen. That doesn't stop me adding a bit of humour to the mix, what else shrivels the manhood of those abusing power more than laughter? To balance out the sometimes poisonous nature of this work, I like to step back and paint stunning landscapes I am lucky enough to stumble upon. Quality of light is very much a draw and this ephemeral beauty reminds me what in the world is worth fighting for. Recently I have been taking a lot fo inspiration from my wanderings, bike rides and skates around Lyon. It is choc full of incredible carvings, masonry and woodwork. I like to take sections of these old artworks and incorporate them in my own piece. I find the melding of old filigree and modern imagery and colour a satisfying metaphor for what I think my own practice is, old techniques twisted to modern day problems.

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