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untitled (sync #1) 2012_03_15 Drawing

Matt Niebuhr

United States

Drawing, Graphite on Paper

Size: 18 W x 23.4 H x 0.1 D in

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$515USD

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About The Artwork

untitled (sync #1) 2012_03_15 graphite on paper 23 3/8" x 18" (59.4 x 45.7)cm Matt Niebuhr www.mattniebuhr.com This drawing is one of 12 executed in a series exploring synchronicity where two or more groups of lines are drawn with varied pressure. The graphite lines cascade on the page, each line in response to the next and the next, until a surface or field emerges. Inspired in part by the work of Agnes Martin: “When people go to the ocean they like to see it all day… There’s nobody living who couldn’t stand all afternoon in front of a waterfall. It’s a simple experience, you become lighter in weight, you wouldn’t want anything else. Anyone who can sit on a stone in a field awhile can see my painting. Nature is like parting a curtain - you go into it. I want to draw a certain response like this. … Not a specific response but that quality of response from people when they leave themselves behind, often experienced in nature - an experience of simple joy… the simple, direct going into a field of vision as you would cross an empty beach to look at the ocean.” - Agnes Martin 1966”

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:18 W x 23.4 H x 0.1 D in

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American b. 1969 Artist I am a full-time artist living and working in Des Moines, Iowa. Trained as an architect, I established a studio practice pursuing personal work in the summer of 2012 named "West Branch Studio". I am the creative director and an artist / designer engaged in making public art as Senior Partner with the Art Studio at RDG Planning & Design in Des Moines, Iowa. The works represented here are personal works associated with West Branch Studio. For me, drawing is thinking. Drawing is a fundamental way to explore the relationships of action and reaction. The drawings are records: of the mind (thinking), of the hand (doing) and of the eye (sensing). With my drawing practice, my aim is to investigate the accumulation of lines representing a wide range of work from realistic depiction of form to abstract formlessness. I'm most intrigued by the possibilities of simple lines and the space in between thinking, doing and sensing. www.mattniebuhr.com

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