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The Syndrome of Imbalance displays male figures (dummies) in a group, wearing classic suits, sitting at the table which represents a ritual site and a meeting place. One figure is in supernatural floating position that absorbs the state during an ascension in view of other static figures in a sitting position. The figure that is ascending uses both hands to grab at a filled up water tank which is lying on the table. The water from the tank is a bearer of numerous messages which bring this figure in such a state of absence in comparison to other figures at the table. The remaining three figures are static and still. They are the synonym for socialization and the witnesses to the fate of the fourth one. The water in the water tank is still, murky, and dead. It contains submerged messages of insult and humiliation which stand equal to the insults that can be exchanged between two close persons during a conflict. As a result the figure standing in a supernatural position expresses its spiritual unease, putting the imposing emphasis on itself as a convict, culprit and victim, humiliated and humble person. This figure in an ascending illusion disturbs the balance and symetry of the balanced scene and exemplifies the inner unstable rebellion and a tempest which are reflected through the posture of its movement. The theme, Dead Water Installation 2016
The Syndrome of Imbalance displays male figures (dummies) in a group, wearing classic suits, sitting at the table which represents a ritual site and a meeting place. One figure is in supernatural floating position that absorbs the state during an ascension in view of other static figures in a sitting position. The figure that is ascending uses both hands to grab at a filled up water tank which is lying on the table. The water from the tank is a bearer of numerous messages which bring this figure in such a state of absence in comparison to other figures at the table. The remaining three figures are static and still. They are the synonym for socialization and the witnesses to the fate of the fourth one. The water in the water tank is still, murky, and dead. It contains submerged messages of insult and humiliation which stand equal to the insults that can be exchanged between two close persons during a conflict. As a result the figure standing in a supernatural position expresses its spiritual unease, putting the imposing emphasis on itself as a convict, culprit and victim, humiliated and humble person. This figure in an ascending illusion disturbs the balance and symetry of the balanced scene and exemplifies the inner unstable rebellion and a tempest which are reflected through the posture of its movement. The theme, Dead Water Installation 2016
The Syndrome of Imbalance displays male figures (dummies) in a group, wearing classic suits, sitting at the table which represents a ritual site and a meeting place. One figure is in supernatural floating position that absorbs the state during an ascension in view of other static figures in a sitting position. The figure that is ascending uses both hands to grab at a filled up water tank which is lying on the table. The water from the tank is a bearer of numerous messages which bring this figure in such a state of absence in comparison to other figures at the table. The remaining three figures are static and still. They are the synonym for socialization and the witnesses to the fate of the fourth one. The water in the water tank is still, murky, and dead. It contains submerged messages of insult and humiliation which stand equal to the insults that can be exchanged between two close persons during a conflict. As a result the figure standing in a supernatural position expresses its spiritual unease, putting the imposing emphasis on itself as a convict, culprit and victim, humiliated and humble person. This figure in an ascending illusion disturbs the balance and symetry of the balanced scene and exemplifies the inner unstable rebellion and a tempest which are reflected through the posture of its movement. The theme, Dead Water Installation 2016

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SYNDROME IMBALANCE Installation

Goran Despotovski

Serbia

Installation, Textile on Ceramic

Size: 157.5 W x 51.2 H x 98.4 D in

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$46,250

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The Syndrome of Imbalance displays male figures (dummies) in a group, wearing classic suits, sitting at the table which represents a ritual site and a meeting place. One figure is in supernatural floating position that absorbs the state during an ascension in view of other static figures in a sittin...

Year Created:

2016

Subject:

People

Styles:

Conceptual

, 

Figurative

, 

Minimalism

 

Mediums:

Textile

, 

Black & White

, 

Ceramic

, 

Ceramic

, 

Other

 

Medium:

Installation, Textile on Ceramic

Rarity:

One-of-a-kind Artwork

Size:

157.5 W x 51.2 H x 98.4 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Serbia.

Customs:

Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

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Goran Despotovski was born on 13th August 1972 in Vršac, Serbia. He graduated from the College of Fine and Applied Arts in Belgrade (1995); he received his bachelor (1999) and master degrees (2003) in painting from the Academy of Arts in Novi Sad, and acquired the title of the Doctor of Arts - Fine Arts (2018). He has been employed at the same academy since 2004. He was elected a full professor, for the narrower artistic field of Painting in 2019. He is the president of the Union of the Associations of Fine Artists of Vojvodina - SULUV (since 2017). He has exhibited at sixty solo and several collective exhibitions in the country and abroad. He has received numerous awards in the field of fine arts and authored several projects under the Academy of Arts in Novi Sad: Differences (2005–), Image (2011–), Book (2016), The Space of the Digital Image (2016) and projects within SULUV: SMIC. moving form (2019–), Move in code (2021–), etc.

Artist Recognition
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Artist featured by Saatchi Art in a collection

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