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This idea of the world is focused on a vision of the scheme of domain of any regime in the world.
Author: William Marquina
Serie: Chaos
Title: Regime # 1
Technique: acrylic on paper glazing
Dimensions: 13 "x 19" x 0.008 "(33 cm x 48 cm x 0.02 cm)
Year: 2015
Key words: World, system, chaos, order, subordination, domain, rigid, modern, painting, colour, yellow, black, acrylic, paper.

Description: I see the world in different levels of chaos. This idea of the world is focused on a vision of the scheme of domain of any regime in the world. A regime is the result of a power forced to instruct an order in systems of relationships that directly affect the intimate realities of people. So, in a regime, everyone moves forced to comply with rigid stereotyped forms. I feel that it is a phenomenon that fourth freedoms of expression. In my country, this experience is common, we move bound to laws that concentrated their forces in common objectives, while individual's own forces wear without fully meeting its own objectives. I love the work of Sol LeWitt, I think his works to teach new visions of abstract painting in a permanent addition of the infinity that is the world. That goal I like.
A regime is the result of a power forced to instruct an order in systems of relationships that directly affect the intimate realities of people.
I love the work of Sol LeWitt, I think his works to teach new visions of abstract painting in a permanent addition of the infinity that is the world.
Author: William Marquina
Serie: Chaos
Title: Regime # 1
Technique: acrylic on paper glazing
Dimensions: 13 "x 19" x 0.008 "(33 cm x 48 cm x 0.02 cm)
Year: 2015
Key words: World, system, chaos, order, subordination, domain, rigid, modern, painting, colour, yellow, black, acrylic, paper.

Description: I see the world in different levels of chaos. This idea of the world is focused on a vision of the scheme of domain of any regime in the world. A regime is the result of a power forced to instruct an order in systems of relationships that directly affect the intimate realities of people. So, in a regime, everyone moves forced to comply with rigid stereotyped forms. I feel that it is a phenomenon that fourth freedoms of expression. In my country, this experience is common, we move bound to laws that concentrated their forces in common objectives, while individual's own forces wear without fully meeting its own objectives. I love the work of Sol LeWitt, I think his works to teach new visions of abstract painting in a permanent addition of the infinity that is the world. That goal I like.
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Regime #1 Painting

William Rafael Marquina Buitrago

Ecuador

Painting, Acrylic on Paper

Size: 19 W x 13 H x 1 D in

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About The Artwork

Author: William Marquina Serie: Chaos Title: Regime # 1 Technique: acrylic on paper glazing Dimensions: 13 "x 19" x 0.008 "(33 cm x 48 cm x 0.02 cm) Year: 2015 Key words: World, system, chaos, order, subordination, domain, rigid, modern, painting, colour, yellow, black, acrylic, paper. Description: I see the world in different levels of chaos. This idea of the world is focused on a vision of the scheme of domain of any regime in the world. A regime is the result of a power forced to instruct an order in systems of relationships that directly affect the intimate realities of people. So, in a regime, everyone moves forced to comply with rigid stereotyped forms. I feel that it is a phenomenon that fourth freedoms of expression. In my country, this experience is common, we move bound to laws that concentrated their forces in common objectives, while individual's own forces wear without fully meeting its own objectives. I love the work of Sol LeWitt, I think his works to teach new visions of abstract painting in a permanent addition of the infinity that is the world. That goal I like.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:19 W x 13 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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