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Hotspots (Dead Pixel #4) - Limited Edition of 25 Photograph

Andréa DeFelice

United States

Photography, Digital on Paper

Size: 19 W x 13 H x 0.1 D in

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$435

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About The Artwork

This is a unique photograph of site-specific installation project made during a residency in Iceland. This photograph has not been digitally manipulated. Many of my works are developed during residencies, and become outputs of the experience and the place. Phases of the work become documented through their process in the forms of drawings and photographs, then become performances, objects, new media art video and installation. I built several large "green screens" after falling in love with the color of a material I found in a hardware store. I wanted to incorporate it into the bleak, yet aggressive landscapes of the Icelandic lava fields. I traveled around Iceland with the screens, choosing locations to juxtapose them into the lava-scapes. It felt like such an unnatural color, and an out-of-place object to see. The screens became this intervention of sight and place, working as an attempt to super-impose something that's not there. Or to hide something that is there. Like a landed monolith made from cheap material. This came from my interests in creating illusions. I was connecting the idea of illusion, to our inherent desire to be seen, or to be invisible. More photographs are available from this project documentation in Iceland. Contact for more image samples, details, or special requests on mounting/framing options. Buyer will receive a new, archival pigment print on fine art paper, from the limited edition of 25. Care instructions provided. Print will be hand-signed with edition number (e.g. 4/25).

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:125

Size:19 W x 13 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a visual artist living and working between New York City and artist residencies. My work uses various media, referencing concepts and concerns over my own interpretations of the world. This can take the form of a dreamlike or simulated version of experiences, or a replay of something seen or heard. I’m influenced by places, instances, and the way we think about information as we receive it through both traditional and alternative methods. I find today's discourse violent and destructive and I am frightened by how that discourse conditions our perceptions. The subjects I incorporate into visual artworks get at this in roundabout ways. These can be objects or images that come off as noisy, repetitive, or unsettling. They can also be dark, weird, and problematic. I do enjoy referencing problems and behavior, and our relationship to technology. Specifically what the digital does to the physical, and the interplay between these two realities. Professor of Media Studies and Digital Arts. Exhibition venues include The Painting Center, The Austrian Cultural Forum, The Invisible Dog Art Center, Portal: Governor’s Island, and Harvestworks Digital Media Arts Center. Works in private collections are represented by Porter Advisory. International exhibitions and alternative spaces include Periferic 8 Biennial for Contemporary Art: Art As Gift, in Iași, Romania; The Lab for Electronic Arts & Performance in Berlin; The Contemporary Art Center in Greece, and Hafnarborg in Iceland. Some residencies include Harvestworks Digital Media Arts Center (NYC), Hafnarborg: Hafnarfjördur Centre of Culture & Fine Art in Iceland, Hungarian Multicultural Center in Budapest, White Sands Desert in New Mexico, and Event Horizon in Crete (upcoming 2021).

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