Avenda Burnell Walsh

In her figurative work Avenda seeks out unlikely physical shifts to reveal an inherent awkwardness, throwing into question what we are led to believe is beauty and beautiful. In the media circus of the 21st century we are bombarded by images of apparent perfection, yet we appear to miss the entire point of the beauty of soul. Avenda’s series The Corsets Are Off holds a mirror to our own vulnerabilities and asks us to think again. Hence her work looks back over centuries of portraiture and re-evaluates the place of women in societies that demanded beauty from them.

Often multilayered, Avenda’s images demand we question the fragility and instability of our seemingly certain reality. Using abstraction she creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. Her paintings become fascinating, new brushstrokes and colours emerging over time, the whole growing more precious the longer it is viewed. These are not works you tire of.

Avenda is a Member of the Maison des Artistes.

After many years studying the collective arts, art history and art as culture (University of Exeter, England; and University of California, Santa Barbara) Avenda’s style draws on a polymath background in film, drama, photography and creative writing.

Monsegur, Gironde, France.
Talmont sur Gironde, Charente Maritime, France.
Exeter, Devon, England.
Teignmouth, Devon, England.
Shaldon, Devon, England.