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U to Fifty-Five (1 of 1) Artwork

Andre Waage

Germany

Mixed Media, Algorithmic Art on Paper

Size: 47 W x 80 H x 0.1 D cm

Ships in a Tube

This artwork is not for sale.

20 Views

10

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The image is based on mathematical algorithms that are merged with image processing software and processed for 3D software. The repetitive structures of the algorithms are to be shown under aesthetic aspects. Quality This unique picture is printed as FineArt-Giclée-Print on Hahnemühle Photo Rag wi...

Year Created:

2020

Subject:
Mediums:

Mixed Media, Algorithmic Art on Paper

Rarity:

One-of-a-kind Artwork

Size:

47 W x 80 H x 0.1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I think, for good reasons one can say, repetitive is an essential, maybe the characteristic of our world (the being). Any leaf of a tree appears to us like any other, but no two leaves are alike (this example is from the philosopher Leibniz). Not in this year and not during the lifetime of the tree. And we do not find this leaf in other trees - at any time. So the same thing always seems to come back with a small deviation. But what distinguishes individual leaves, or individual stars from each other? What exactly makes a person to this person? Can we see more than functional pragmatic reasons behind the constantly recurring deviations? At the moment I am trying to use mathematical algorithms in my pictures to produce results that obviously differ greatly from each other, but they often have the same mathematical basis. If you take a closer look, you can see that (the pictures that belong together also always have the same basic name in the picture name). The generated basic geometries, which I then process further, lie between the 2nd and 3rd dimension, they are not flat, but also not three-dimensional. Later I would like to extend my considerations to aspects of time, space, form and content. Aesthetics is the most important thing in communicating my results. The fact that a picture looks appealing, i.e. that the viewer likes it, makes it convincing and you can recognize a "more", more than the shapes and colors on the picture.

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