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The Deep Blue II Painting

Tanya Ogilvie-White

Australia

Painting, Encaustic on Wood

Size: 16.5 W x 23.6 H x 0.8 D in

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$2,020

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14 Views

2

Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

The Deep Blue II is the second of two large cold wax panels depicting Australian pelicans. It's part of my Velvet Calm series, inspired by the flora and fauna of Eastern Australia. It shows three Australian Pelicans heading out to sea from the mouth of the Brunswick River in Eastern Australia. The clouds above them are reflected in the surface of the water they're gliding on, and the sense of cavernous depths of the ocean floor beneath them is created by carving into textured layers of cold wax medium. The artwork creates a sense of awe and wonder and inner calm. This piece is archival quality. It is prepped with picture hardware, ready to hang.

DETAILS AND DIMENSIONS
Painting:

Encaustic on Wood

Original:

One-of-a-kind Artwork

Size:

16.5 W x 23.6 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Finalist, Refocus Awards (People's Choice), 2024 Finalist, The Facet Art Prize, 2023 Finalist, The Alice Prize, 2020 I'm an artist and photographer from Byron Bay, in the beautiful sub-tropical region of the Northern Rivers, on the east coast of Australia. The region is known for its beautiful scenery and spectacular wildlife, which I enjoy photographing as a nature photographer. Alongside my career as a scholar and writer, I've been creating art all my life, exhibiting my work at art festivals around the world. In 2017 I decided to launch my own art business, Scorching Skies Art, as an outlet for my encaustic artworks, some of which can be seen here. The technique I'm known for is known as 'photographic encaustic'. It involves burning layers of melted beeswax into enlarged, heatproof photographs, which are bonded to wooden panels and then transformed into wax paintings through the application of oils, inks, pastels and other materials. The resulting artworks take on a life of their own and are impossible to replicate. I'm drawn to the technique because it has such an ethereal quality, and also because the way the wax and pigments mix under the live flame feels like alchemy. Recent accolades for my work include: Finalist in The Alice Prize 2020 for encaustic triptych, 'Alice's Finches' Finalist in the Lethbridge 20000 Small Scale Art Award, 2019 (for 'Swooping Bee-eater', Skyward Series) Finalist in the 2018 Australian Photography of the Year awards (landscape category) Nominations in the 2017 and 2018 Fine Art Photography Awards, London (nature and wildlife categories) Shortlisted nominations in the 2017 and 2018 Wildlife Photographer of the Year Awards, London (earth's environments and black and white categories).

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney, Sydney, Sydney

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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