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Installation, birchply on Wood
Size: 121 W x 121 H x 2 D cm
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Carved grooves with thin wooden slats protruding the surface. A moving light or walking past, changes the perspective and appearance of the work. Originating from the white shadow series. The artist is concerned with the contrast between shadow and light. Here he arranges cut lines, adds slats/blad...
2018
Installation, birchply on Wood
One-of-a-kind Artwork
121 W x 121 H x 2 D cm
Not Applicable
Not Framed
Certificate is Included
Ships in a Crate
Shipping is included in price.
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
South Africa.
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South Africa
Lars J. Fischedick has spent the last 25 years in the examination of 3 dimensional spaces: This has been achieved through architecture, model building, sculpture and art installations. He was born in Germany and started his career in Contemporary Architecture, collaborating in various Exhibitions including Christo and Jean-Claude’s Wrapped Reichstag Project for Berlin. He moved to Cape Town in 2002 and in 2010 started pursuing an art career. By combining his knowledge of materials (like wood and resin) with perceptual shifts from aerial to perspective, he has formed a new artistic narrative. A major influence in his current work is his studies in projective geometry and mathematics, particularly explorations from the personal inner perspective to the geometrical infinite. Through his work, he gives his audience an experience of space, challenges their perceptual boundaries, and makes invisible aspects of this experience, visible. In his own words: ‘It is both logical and playful, mathematical and infinite.’ ‘The discovery of anything new changes our perception and the way we see and experience the world we live in. Why did the aboriginal people on the continent of America not see the ships of Columbus rising on the horizon? It was apparently not within their reality. So, if I stand in a closed up old barn I can see through the gaps of the planks the outside light, but not the rays streaming in. Only the moment I kick some dust up do the rays become visible right around me. This does not mean that those rays didn’t exist the moment I entered the barn. It became part of my reality the moment I kicked the dust.’ ‘My art is about kicking up that dust.’
Artist featured by Saatchi Art in a collection
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