Sunil Abraham

Sunil Abraham's practice occupies a productive tension between the physical and the digital, the gestural and the composed. Working across canvas and screen, Abraham constructs image - environments where conventional distinctions between medium and concept are deliberately held open.

The work does not resolve into neat categories. Paintings carry the velocity of digital images; digital compositions retain the weight and intimacy of handmade marks. This formal ambiguity is not incidental - it is the central argument of the practice.

Abraham's primary subject is identity understood as process: not a fixed quality to be represented, but a field of ongoing negotiation shaped by movement, memory, and cultural encounter.

The recurring presence of the human figure - particularly in its feminine articulations - functions as an anchor within compositions that otherwise resist stasis. These figures do not pose. They transition.

Chromatic intensity operates throughout the work as both formal strategy and emotional syntax. Abraham's palettes are not illustrative but structural: color delineates relationships, marks emotional register, and carries meaning that form alone cannot bear.

The four series collected here - States of Motion, Inne...

PGDMSM

Awards:
2021 Artorful - Recognised as one of the Top 10 amongst artists across 141 countries.
1990 Shankar's Painting Prize, Gujarat
2020 YPS International Salon 2020 - Acceptance, India
2018 2 Nominations at 11th International Color Awards, USA
2017 Nominee at the 12th Annual Black and White Spider Awards, USA.
2017 Honourable Mention - Monochrome Awards, London
2017 Best Photographer award - Reflections, India

GROUP EXHIBITIONS
2001 Nazar Art Gallery, Vadodara, Gujarat
2014 Artea Matters, Bangalore, Karnataka
2014 Mammomobile, Marriott, Bangalore, Karnataka