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MADONNA OF THE ROCKS - ( a liberation )
Photography, 12.7 W x 19.4 H x 0.1 D in
David Matthew Lyons
United Kingdom
Prints from $87
IMAGE FILE FOUND ON AN OLD SILK DRIVE AFTER THE THIRD POST RUSSO PULSE. SUMPTNER CATALOGUE - ( Twilight on the Bosphorous. New prayers for Suleiman )
Photography, 24 W x 16 H x 0.1 D in
GEO - (There is no measuring. There are no ruled lines. No ledgers. No accounts. No profits. No surplus. No margins for error)
Photography, 12.8 W x 18.9 H x 0.1 D in
Prints from $86
END OF SUMMER - ( our childhood haunts our grown years with whispers of abandonment, the forsaken adventures of more innocent dreams )
Photography, 31.9 W x 21.2 H x 0.1 D in
THE GREEN GOAT AT THE HALL OF THREE PURITIES - ( for Hua Huang )
Photography, 9.5 W x 14.3 H x 0.1 D in
A SUMMER DAY IN THE VALLEY OF THE BOYNE - ( that I should rise and you should not )
Photography, 14.3 W x 9.5 H x 0.1 D in
PROMETHEUS STILL BOUND - ( thinking outside Pandora’s box )
Photography, 13.7 W x 19 H x 0.1 D in
FATE OF AN EXORCIST - ( when the whole world is come to speaking in tongues and the darkling plain lies all around ) - Limited Edition of 1
Photography, 14.6 W x 21.6 H x 0.1 D in
$450
SAGE NOCTURNE - ( for Carl Nielsen )
Photography, 15.5 W x 22.7 H x 0.1 D in
HYLAS AND THE NYMPHS - ( a conversation between John William Waterhouse and Jorge Luis Borges on the origins of Grace )
Photography, 19.8 W x 13.2 H x 0.1 D in
THE LIGHT OF THE WORLD - ( beyond the sheltered candle )
Photography, 24.5 W x 16.4 H x 0.1 D in
$3,300
DOHA / NEW TALES OF SWEET SCHEHERAZADE - ( eternity was in her lips and eyes. Rapture burned the desert sand to glass )
Photography, 21.1 W x 30.7 H x 0.1 D in
PULSAR - ( crystal windows )
Photography, 65.2 W x 44.5 H x 0.1 D in
$4,550
A STAR FIELD IN FERMANAGH - ( the fay grace of the Woodmans daughter )
Photography, 19 W x 14.8 H x 0.1 D in
NIGHT MOVES ON THE RIVER ARNO - ( sweet herbs and old taut leather )
Photography, 14.2 W x 18.9 H x 0.1 D in
$810
ASGARD II BETWEEN THE SKELLIGS - ( requiem for a brigantine )
Photography, 29 W x 31.3 H x 0.1 D in
Prints from $100
BOUNCE - ( Old Gold )
Photography, 48.3 W x 30.6 H x 0.1 D in
CUL-DE-SAC - ( east Beijing )
Photography, 56 W x 37.4 H x 0.1 D in
A CRUEL MOUTH - ( slouching towards Bethlehem )
Photography, 49.1 W x 32.8 H x 0.1 D in
THE AWAKENING OF LITTLE RED RIDING HOOD - ( just another Exodus )
Photography, 23.1 W x 32.4 H x 0.1 D in
BLACK HAWK AND THE WHITE WINGED DOVE
Photography, 27.5 W x 41 H x 0.1 D in
THE TWA CORBIES AT THE GATES OF DAWN - ( a pragmatic leap of faith )
Photography, 18.8 W x 28.3 H x 0.1 D in
WINTER SOLSTICE - ( for Ruskin who looked too long on smoothed marble instead of placing his finger on the pulse )
Photography, 47 W x 68.6 H x 0.1 D in
MERCURY FALLING - ( a soft day in Tipp )
Photography, 51 W x 64 H x 0.1 D in
DREAMING OF RAPA NUI - ( in the cold hall of a northern museum )
Photography, 32.9 W x 54.8 H x 0.1 D in
LOSING EURYDICE - ( the Uluburun cobalt threshold )
Mixed Media, 34.8 W x 52 H x 0.1 D in
PEYOTE PAINT - ( Bristlecone pines. Inyo, California )
Photography, 65 W x 43 H x 0.1 D in
SEA PINKS, INISHOWEN - ( the gardens of Atlantis )
Photography, 26.9 W x 40 H x 0.1 D in
LEAVING THE DRAGON - ( Shanghai city nights. Skimming the Yan'an orbital )
Mixed Media, 52 W x 34.6 H x 0.1 D in
LUNAR ECHO, QIANLING - ( the soul of Empress Wu )
Photography, 38 W x 24.6 H x 0.1 D in
WAITING FOR THE PUSSYCAT
Photography, 34.5 W x 52 H x 0.1 D in
APPROACHING EURYDICE - ( Ion retro transit. Lithium degrading. The stars sing of Elon )
Mixed Media, 63 W x 42.2 H x 0.1 D in
WHEN AN ARCHANGEL DREAMS OF DARKNESS
Photography, 64 W x 42 H x 0.1 D in
PASSING THROUGH - ( earth air and sea at Trawbreaga )
Mixed Media, 53.4 W x 80 H x 0.1 D in
THOUGH I WALK THROUGH THE VALLEY OF THE SHADOW OF DEATH - ( many miles from Walden )
Photography, 23 W x 32 H x 0.1 D in
MAN PROPOSES - ( the old church above Tintern )
Photography, 18.9 W x 28.4 H x 0.1 D in
SIX STACK INTERCHANGE - ( grounding the Nine Dragon Pillar )
Mixed Media, 62 W x 41.2 H x 0.1 D in
21st CENTURY OPIUM WARS - ( monitor drone standing off )
Photography, 38 W x 25.2 H x 0.1 D in
CITADEL - ( the oil carbon inter-glacial )
Photography, 56 W x 37.3 H x 0.1 D in
PEARL RIVER NEGOTIATIONS - ( I made my baby say goodbye )
Photography, 52 W x 37.9 H x 0.1 D in
LE MONT - ( an un-quiet night with Edgar Allan Poe )
Photography, 34.9 W x 50 H x 0.1 D in
LE MONT - ( a quiet evening with Maxfield Parrish )
NIGHT BREEZE AT THE OASIS - ( the Sheraton, Doha )
FOR LOVECRAFT - ( state 2 - down to a sunless sea )
Photography, 62 W x 41.4 H x 0.1 D in
TIGHT DIAMOND NINE - ( red arrows ad astra )
Photography, 50 W x 33.3 H x 0.1 D in
LAUNCH OF THE WARSHIP - ( the last generation of shipbuilders )
TOWERS
Photography, 64 W x 43 H x 0.1 D in
SHANGHAI DAWN - ( the sun rises in the east )
Photography, 34.8 W x 50 H x 0.1 D in
MIDNIGHT IN THE GARDEN OF EDEN
Photography, 50 W x 33.2 H x 0.1 D in
NIGHT IN THE CITY - ( Central Plaza )
Photography, 25 W x 21.3 H x 0.1 D in
RETURN OF THE TSARINA - ( shopping for Lalique at Gostiny Dvor )
Photography, 23.3 W x 15.6 H x 0.1 D in
IT'S A BEAUTIFUL DAY - ( down by the salley gardens. Altamont )
Photography, 36.4 W x 49.6 H x 0.1 D in
A FINE DOORWAY IN CARRARA - ( and man created God in his own image )
Photography, 26.8 W x 18.5 H x 0.1 D in
CIVILIZATION IN MOONLIGHT - ( Ardvreck, highland stronghold of Clan MacLeod )
Photography, 28.6 W x 19 H x 0.1 D in
VOYAGE OF THE DAWN TREADER - ( approaching Cathay )
Photography, 33.3 W x 50 H x 0.1 D in
A DETECTED SHIMMER OF SCHADENFREUDE - ( new manoeuvres on the banks of the North European Plain )
Photography, 28.8 W x 43.3 H x 0.1 D in
ABANDONED HOUSE - ( the field of reapers )
SAN GIMIGNANO
Photography, 38 W x 25.4 H x 0.1 D in
NIGER DELTA - BENNETT ISLAND ANCHORAGE ( Requiem for a River )
Photography, 37 W x 23.8 H x 0.1 D in
EVE ALSO HAD A DAUGHTER - ( Venus in the bird cage )
Photography, 20.8 W x 30 H x 0.1 D in
THE GHOST TREE OF PEVERIL - ( state 2 )
Photography, 33.1 W x 48.4 H x 0.1 D in
WE THREE ARE MET - ( talk of Cawdor and a long cursing )
Photography, 35.4 W x 53.1 H x 0.1 D in
OCEAN - ( with respect for Stanislaw Lem )
Photography, 50 W x 32.3 H x 0.1 D in
APPROACHING TIANANMEN - ( vermilion bird )
Photography, 64 W x 40.7 H x 0.1 D in
ONCE UPON A TIME - ( in a land called Analogue )
Photography, 22.6 W x 33.4 H x 0.1 D in
CARNAC - ( there is a madness here )
Photography, 35.7 W x 24.4 H x 0.1 D in
ERECTION 2 - ( if Mary Shelley also dreamed of bankers )
Photography, 25.2 W x 38 H x 0.1 D in
ERECTION 1 - ( Earth Father )
Photography, 47.4 W x 31.7 H x 0.1 D in
ALONE IN THE CHATEAU GARDEN - Chenonceau
Photography, 50 W x 36.5 H x 0.1 D in
THE FAR SHORE OF ACHERON - ( atomic hubris - the peacock spreads his fan )
Photography, 50 W x 32.8 H x 0.1 D in
OTHER DAYS AROUND US - ( Laodicea )
DOHA SAND CASTLES - ( The 21st Century started here )
Photography, 48.3 W x 32.2 H x 0.1 D in
FOR LOVECRAFT - ( an excuse to revive the word eldritch )
Photography, 50 W x 33.4 H x 0.1 D in
THE GHOST TREE OF PEVERIL - ( state 1 )
Photography, 35.9 W x 52.5 H x 0.1 D in
DROWNED FIELDS OF MALIN - ( lucid sea of Donegal on Ireland's Wild Atlantic Way )
Photography, 50 W x 32.4 H x 0.1 D in
WORKTOWN - ( night on the Shanghai waterfront )
Photography, 64 W x 42.6 H x 0.1 D in
PILGRIMS - ( approaching darkness )
Photography, 52 W x 35.3 H x 0.1 D in
DAWN - ( 5000 year stone circle at Castlerigg. Lake District National Park )
Photography, 42 W x 28 H x 0.1 D in
THE LAST SUMMER EVENING
Photography, 49.6 W x 33.1 H x 0.1 D in
DOLMEN - ( Poulnabrone ancient Neolithic portal tomb on The Burren, County Clare, Ireland )
Photography, 33.2 W x 50 H x 0.1 D in
BLOCKADE RUNNER
Photography, 62 W x 41.2 H x 0.1 D in
STAR FERRY - ( Hong Kong / glimmer town )
Photography, 50 W x 33 H x 0.1 D in
WINTER SILK, YANTAI
Photography, 44.2 W x 56 H x 0.1 D in
FROM THE BOW LENS OF THE TEMERAIRE ( Hong Kong breakers )
FLAMINGO CAMOUFLAGED
Photography, 41.6 W x 62 H x 0.1 D in
TRAVERTINE
Photography, 17.9 W x 18.1 H x 0.1 D in
FUNDAMENTAL, ORKNEY
WORDSWORTH'S WALK - (first flecks of snow, Rydal)
Photography, 38.4 W x 47 H x 0.1 D in
AVALON
FASTNET LIGHT ( from Cape Clear Island )
Photography, 46.8 W x 64 H x 0.1 D in
THE FIRST HOUR - ( Mont Saint Michel ancient monastery rises spectral above the tidal reaches of the Normandy coast. The earliest shades of dawn )
Photography, 76 W x 50.7 H x 0.1 D in
STONE LION - ( Guardian of the tomb of Zhou Dynasty empress Wu Zetian at Qianling )
ATTACK SHIP OFF THE TANNHAUSER GATE - ( Piranesi dreams in colour )
Photography, 64 W x 38.9 H x 0.1 D in
REQUIEM FOR ACHILLES
Photography, 62 W x 41.3 H x 0.1 D in
THE ENCHANTMENT OF CALYPSO'S ISLAND
Photography, 49.9 W x 36.7 H x 0.1 D in
TROY BURNING - ( beware of Geeks bearing gifts )
Photography, 40.9 W x 61.3 H x 0.1 D in
JASON ENTERING THE HALLS OF BYZANTIUM
NIRVANAVILLE - ( a borrowed dedication to Confucian philosopher Dong Zhongshu )
FERAL FAC ON THE HUANGPU RIVER
Photography, 32 W x 21.3 H x 0.1 D in
INTOXICATION
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