Alessandro Moreschini

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For the realization of my artworks I use several supports which allow me to realize some artworks where the surface become a plenty coloured and decorative texture (pattern painting). My pictorial art is the result of a very meticulous painting work in which the handcraft skilful is directly compared with the technologic world represented by extra-artistic means such. My target is to highlight the never ending fall of the cultural limits of western esthetical canons

At the base of the my artistic practice there is the consideration that contemporary society is characterized more and more by a general “aestheticization” of everyday life to the disadvantage of the previous concern of “ethicsaction” of social life. In other words as stated by the French sociologist Yves Michaud the interest for beauty in all its forms (aesthetic) would permeate all the areas of our lives dozing off our social responsibility and civic engagement (ethics)

B I O G R A P H Y
Alessandro Moreschini, born in Castel S. Pietro Terme (BO) 1966, is currently living and working in Bologna, Italy

General Certificate Educational in Applied Arts, Istituto Statale d’Arte, Bologna, Italy
D.A.M.S. Degree Discipline of Arts, Università degli Studi di Bologna, Italy

2015 S.Cesareo (RM), Italy, Slowly, elogio della lentezza, Fondazionecmm, edited by Raffaele Quattrone
2014 Imola (BO), Italy, Re-Birth Day, Io vedo, Io guardo
2013 Bologna, Italy, //:(TT)+U=Think The Unthinkable, Galleria OltreDimore, edited by Raffaele Quattrone - photo tour T.T.U.
2012 Roma, Italy, opere di arte contemporanea a sostegno di AMREF, Casa d'Aste Babuino. edited by Matteo Scarabotti
2012 Bologna, Italy, When (Italian) Responsibilities Become Form, Galleria OltreDimore, edited by Raffaele Quattrone - photo tour W.I.R.B.F.
2009 Bologna, Italy, Asta Benefica in favore dell'Accademia di Belle Arti de L'Aquila, Ex Chiesa S.Maria del Buon Pastore, edited by Valerio Dehò
2008 London, UK, /seconds issue 09, Vanishing point, the vicious and virtuous circle, The Wharf Road Project - V22, edited by Peter Lewis
2008 Torino, Italy, Il Gran Teatro Ceramico.BAU+MIAAO, MIAAO Museo Internazionale delle Arti Applicate Oggi, edited by Enzo Biffi Gentili
2007 London, UK, /seconds issue 07, Sci-fi, utopia, roadside picnics, Redux Projects, edited by Peter Lewis and Derek Horton
2007 Roma, Italy, 200 Opere d'arte contemporanea in beneficenza for A.M.R.E.F. Casa d'Aste Babuino, edited by Mauro Di Leo
2005 Vittuone (MI), Italy, Bi...