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Collage, Paper on Wood
Size: 38.6 W x 52.4 H x 0.4 D in
Ships in a Crate
112 Views
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Relationships are complicated, it may destroy us in a minute. Sometimes it's hard to keep your self ''saint'' .
2019
Collage, Paper on Wood
One-of-a-kind Artwork
38.6 W x 52.4 H x 0.4 D in
Not Applicable
Not Framed
Certificate is Included
Ships in a Crate
Shipping is included in price.
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Georgia.
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Nestled between the ancient traditions of Georgia and the boundary-pushing ethos of Dadaism, Mikibo emerges as a visionary collage artist whose work transcends time and convention. In the bustling streets of Tbilisi, amidst the echoes of history and modernity, Mikibo's art finds its voice—a bold declaration of absurdity, beauty, and the transformative power of juxtaposition. From a young age, Mikibo was enthralled by the rich tapestry of Georgian culture, its music, stories, and art weaving a complex backdrop for their creative exploration. Yet, it was the discovery of Dadaism that lit the spark of rebellion in Mikibo's heart. Embracing Dada's disdain for the rational, Mikibo ventured into the realm of collage, seeing in it the perfect medium to dismantle and reassemble reality. Mikibo's collages are a vibrant chaos, where fragments of the familiar collide with the surreal, challenging viewers to find meaning amidst the madness. Drawing from a palette of digital and physical materials, Mikibo crafts scenes that are at once deeply personal and universally resonant. Each piece is a dialogue with the absurd, a celebration of the unpredictable dance of life. Through their work, Mikibo invites us to question the norms that govern our perception of art and reality. Their collages are not just compositions of disparate elements but are a reflection on the fragmentation of modern existence. In the spirit of Dada, Mikibo's art is a protest against the confines of logic and a testament to the creative freedom that lies in embracing the illogical. Despite the international allure of their art, Mikibo remains deeply connected to their Georgian roots. This duality—between the anarchic spirit of Dada and the rich heritage of Georgia—defines Mikibo's artistic journey. Their work is a bridge between worlds, a meeting place where tradition and revolution converge. Mikibo's art challenges us to see the world anew, to find beauty in dissonance and order in chaos. As a beacon for the avant-garde, Mikibo continues to redefine the boundaries of collage art, inviting us all to join in the celebration of unbridled creativity.
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