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View In My Room
Collage, Paper on Paper
Size: 8.3 W x 11.7 H x 0.1 D in
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From the Poverty Safari series. I have always struggled with social class. It’s something that has a profound effect on how we all experience life in the UK and it’s something that I’ve spent an inordinate amount of time thinking about. This obsession with class (amplified by studying Sociology and Sociolinguistics; by reading the bloody Guardian daily - oh Christ I’m such a cliche) has obviously filtered into my work all along. But at the start of this series I felt like I wanted to make an overt political statement. I was thinking about the clash of culture that lives just one row apart on the magazine racks in the supermarket. On one side Take A Break, Chat, Love It, etc - then on the other Tatler, GQ, Vogue. Almost side by side yet worlds apart in the lifestyles that they represent. Hence the use of images from the latter, with titles taken from headlines in the former. In his book that I’ve appropriated for the role of this series of works, Darren McGarvey outlines how he developed his thinking about the ills of social not solely being the fault of external systems over which you have no control, and how personal responsibility is a crucial and overlooked factor by many in political debate. We need to assess how complicit we are in our own oppression. Not just poor white people but myself and other more privileged peeps who make ourselves mental and financial slaves through our desires for “the right body”, luxury goods, etc. We need to recognise those deliberate actions and behaviours that we take that ultimately make our lives harder and less enjoyable (even if in the moment, they make life feel more enjoyable and easier - yes drinking, I’m talking about you)
Paper on Paper
One-of-a-kind Artwork
8.3 W x 11.7 H x 0.1 D in
Not Framed
No
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Born in 1979 in Bishop Auckland, Co. Durham. Lives and works in Nottingham. I am a collage artist who uses abstraction, geometric patterns, and analogue attempts at recreating the effects of digital glitching to explore issues of identity, memory, masculinity, cultural expectations, mental health, the distorting effect of media, and social class. My work is created using pages and covers from magazines which are then folded and torn (or occasionally cut) then pasted together to reappropriate and juxtapose images in fractured and fragmented form. Whilst there are occasional larger pieces, most work is on common A4 paper sheets (many of which have been previously used for other purposes) that are easy to acquire, easy to digitally scan, and easy to frame. That immediacy is important as it is a demonstration of how art and artistic thought should be accessible to all given that the issues covered in the work affect everyone. Built layer upon layer, the pictures are densely detailed. Care is taken to consider both the images used and how the placement on the page both reveals and hides different elements – symbolising how, in both our identities and in wider societal structures, only certain things are made overt whilst other things are intentionally or inadvertently concealed.
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