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"Camellia on Yves Saint Laurent Shirt" Artwork

Cary Lee, United Kingdom

Digital, Digital on Other

14 W x 14 H in

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This camellia is from my neighbour's garden who hosts an open garden every year in Teignmouth, Devon. I liked the link between the pink in the flower, and the camel stripes from an Yves Saint Laurent shirt that I bought from a vintage store. I really enjoyed the challenge of painting each stripe, as...

Year Created:

2022

Subject:
Mediums:

Digital, Digital on Other

Rarity:

One-of-a-kind Artwork

Size:

14 W x 14 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

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Cary Lee

Cary Lee

United Kingdom

In 1998 I graduated University with a BA in Visual Arts.  I loved studying art, especially when I spent a year completing my degree at The University of Maine, USA.  It was here where I found my footing as an artist, but it was also here where my art career came to a halt.   I had spent the majority of my time since graduating trying to earn money...but most importantly, trying to earn respect. I began working towards a career in mental health, which eventually became my primary and only career. Somehow I got caught up in all of this and found myself at a cul de sac. So in 2010 I quit my job and moved to Granada, Spain, to teach English. The move to Spain was necessary but very difficult; however, it had the desired effect and I began to see more clearly what I really wanted to do with my life, and how I could get there. I had no choice other than to become an artist. In Spain I learnt that looking, seeing, recording, and drawing, was my most important career, and that all the other careers which I had been pursuing would now supplement the development of my art practice. Whether I got paid was not the mark of whether this should be a career or not; I just had to do it, paid or unpaid. From this point on I made an agreement with myself; to start building up a body of work which would record my role as an observer, and provide evidence for my identity as an artist.

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