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"Essay for a negotiation IX, Mathematical Anagrams Series." Artwork - Limited Edition of 25

Jesus Jimenez, Mexico

Digital, Digital on Paper

15.7 W x 35.4 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$232

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Mathematical Anagrams series were created by tints with a calculator on ticket roll paper. After being digitized, they are modified and printed on paper. The numerical anagrams titled Essay of a negotiation are open for interpretation; the spectator has to think about the messages they hide.

Year Created:

2019

Subject:
Mediums:

Digital, Digital on Paper

Rarity:

Limited Edition of 25

Size:

15.7 W x 35.4 H x 0.4 D in

Ready to Hang:

No

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Mexico.

Customs:

Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Figurative and abstract forms of numbers are juxtaposed with speed and repetition in my practice to create an individual and subjective plastic universe. The use of conceptual art, visual poetry, numbers, transactions, and symbols, as well as their uses, influences the art I produce. Numbers and their concept are recurring themes in my artistic practice. The order, the objects, the trail, and the space are the triggering elements for the creation of my creative essays, which generally coincide and merge with distances, time, and/or mathematical operations. For a moment, I decontextualise, order, and choreograph objects in abnormal situations to capture my ideas in space. In these actions, not necessarily narrative but descriptive of a particular reality, I find myself adapting to the space and time that surround me.

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