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Digital, Digital on Other
Size: 24.8 W x 35.4 H x 3.9 D in
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this serie was made in 2016-2017, before the 2022 war. here is the basic postulate written during the creation in 2017... 4rd character : Mikhaïl Kalachnikov "Russia and “Western” countries have always had a history of attractions and repulsions. They have never ceased to inspire, compare and reject each other despite obvious similarities, whether historical, cultural or technological. The artist points out this ambiguity through characters who have marked the history of Russia. A question arises: how can these people, known both in the “West” and in Russia, be points of division, express opposing points of view or even create tension? The distortion of perception is accentuated by the technique used by the artist. It reinforces the vagueness that surrounds the vision that we can have of these characters. The artist thus wishes to show that these peoples, despite all the differences attributed to them, are in fact of a rare proximity."
2017
Digital on Other
3
24.8 W x 35.4 H x 3.9 D in
Black
Yes
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France.
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“The Internet is one of the greatest advances in history. This technology has created new ways to interact and convey ideas. This has transformed the individual in his relationship to the world.” In an era made up of social networks, widespread digitization and the disembodiment of exchanges, Francisco PEZ explores the consequences of digital and the abolition of physical borders on the construction of identity. With an acid and satirical look, the works of this digital artist show the impact of collective thought on the dilution of one's own identities and the standardization of lifestyles. His artistic approach and his ideas are fully expressed through portraits, which allow him to study the construction of individual identities and their shaping by the economic, social and digital system. Lucid and disillusioned, he pays particular attention to the modern paradox: individualities are more and more withdrawn despite an increasingly open world. Without morals or judgment, Francisco PEZ simply confronts us with the disillusionment and disembodiment of existence in a capitalist system in the digital age.
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