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The Green Football Oasis Artwork

Naomi Szabo

Hungary

Digital, Digital on Soft (yarn, Cotton, Fabric)

Size: 322.8 W x 78.7 H x 0 D in

This artwork is not for sale.
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About The Artwork

Emphasizing the importance of the wildlife is still an evident theme in our global world, especially nowadays it is. By choosing the natural motifs of primeval forests, the so-called green-thought, the idea of ​​sustainability and the life-giving power of water are emphasized by the lush composition's roaring green and turquoise shades and the representation of untouched natural treasures. The harmony of the prevailing green, blue and yellowish shades of the wall decoration creates a harmonious oasis for the artlovers, which can also fulfill the function of a resting corner during a long, stressful day. The pair of cranes is a key symbol of the composition. In Japan, among other things, they welcome the new year with a crane. In Japanese mythology, the crane, which lives for 1000 years, is a symbol of honor, loyalty and peace. This majestic bird chooses a partner for life, and its offspring are raised with great care by both parents, so it is not surprising that it has been raised as a symbol of family values. The Japanese believe that anyone who folds 1,000 paper cranes before getting married can expect a peaceful and happy married life.

Details & Dimensions

Digital:Digital on Soft (yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:322.8 W x 78.7 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"I wanted to break out of 'the grey' with my colours." Experiments with different materials, with the powerfully composed fragmented world of shapes and the strong juxtaposition of colours play a determinative role during the process of my creation. I use mixed techniques in order to find balance by merging them: oil, acrylic and watercolour, texture material or airbrush technique, canvas and wood and I sometimes cut and burn into the fibres. I often divide my paintings: one picture is a compound of two or more pieces. I may even sacrifice my figures occasionally by painting only parts of them to shape a unique composition. This fragmentation can be interpreted by the assistance of the viewer in order to finally put the work together into a whole. Experimenting with different materials, portraying colors in 3D, trying out different substances as surfaces are all parts of my geniune artistic view. The harsh compositions of my paintings are combined with sophisticated stories. Since my university years the research of the body of complex symbols and gestures have become my favourite means of expression and the featured motif of my individual faceless body images. In my paintings I am concerned with the themes of emotions and repressed desires expressed through body movements, with general human situations, relations and the illustrations of various roles just as well as the face as the carrier and projector of complex symbols, which is unique in all people and comprise never-recurring features.

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