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"The Sphinx in the desert of Oubliette" Artwork

Les Vieux Jours, United States

Digital, Digital on Paper

0.1 W x 0.1 H in

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This piece, while mostly digital collage, is actually mixed media. the winged sphinx is an original drawing, done in micron pens and colored pencil. The drawing was then collaged into the fantasy scene of a "desserted" desert. The quote on the stele between the sphinx's paws is a line from Hamlet, ...

Year Created:

2022

Subject:
Mediums:

Digital, Digital on Paper

Rarity:

One-of-a-kind Artwork

Size:

0.1 W x 0.1 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Need more information?

Need more information?

Once upon a time, I was a mixed media artist that specialized in surreal & whimsical collage, digital collage, and assemblage art. In 2018, misfortune took a swipe at me as the house I was living and creating in made me severely ill, stealing from me all my creations and supplies, and leaving me with the wholly unfair trade of chronic illness. It also took from me the ability to create as I did previously, and being a person who'd been drawing as soon as they could hold a crayon, this was a gut punch. Creating is how I cope with life; it is necessary as breathing. It took a lightning strike of inspiration to find my footing and confidence again, because I felt that I had lost a great chunk of myself and had to constantly fight to keep it. While I had previously been and still am inspired by artists such as Nick Bantock, Frida Kahlo, Vincent Van Gogh, Renoir, and Magritte along with Neil Gaiman, Shakespeare, ancient Egyptian art, medieval art, Victorian engravings and alchemical emblems, my new inspiration took a more unexpected shape. I stumbled across Noel Fielding and his art, specifically his painting, deciding to try on his mode of creation for a bit as I really needed to find a new and more immediate way to express myself. As time went on I developed a style of subconscious, intuitive creation that drew on many of my previously less exercised skills. My present works are primarily done on canvas board, starting as a semi intimidating stark white space with no absolutely notion of what will appear on it. After a few quiet moments in which I may have images or colors or even nothing appear in my mind, I select my acrylic hues, and create the scene via finger painting, then detailing with brushes. What emerges almost always surprises me, even if I think I know what's coming. It's a conversation with my subconscious that has only been enriched through the passage of time. I discovered my evolving style retained my original surrealist and even whimsied aspect, yet flourished into a wild Fauvist fever dream of expressionism layered with spiritual and symbolist content in a fluid, volatile, and energetic way that my meticulous collages could never achieve. Before I started I asked my subconscious "what do I need?" and "what do I want". I paint these things as much as I work out emotions and thoughts in a complex way on the painting ground. My work describes the voice and flow of my inner self with its detailed non verbal language.

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